Matt Ruskin
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Who Gets to Tell Whose Story?: IFP Week Filmmakers and Funders Talk the Politics of Representation in 2017
When Kathryn Bigelow’s Detroit came out this summer, some charged that it shouldn’t have been made by Kathryn Bigelow. Critics, including rogerebert.com’s Angelica Jade Bastien, felt that the story — about ten Black civilians (and two Caucasians) tortured and, in some cases, killed by racist white cops during the 1967 Detroit riots — should have been told by Black filmmakers. These commentators argued that Bigelow and her screenwriter Mark Boal, both white, not only lacked the perspective to get the events right; they also ran the risk of aestheticizing suffering and the destruction of Black bodies. This is not a new […]
by Matt Prigge on Sep 20, 2017 -
“We Really Wanted to Do His Story Justice”: Director Matt Ruskin | Crown Heights
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? I think the challenge with this film was how do you watch Colin Warner do 20 years in prison? How do you convey who this person is when he’s stripped of everything, and then how do you communicate the inner life he cultivated while in prison? I really respond to visual storytelling, so rather than plastering the film with voiceover we used a lot of imagery, whether it […]
by Filmmaker Staff on Jan 25, 2017 -
Five Questions with Crown Heights Director Matt Ruskin
Colin Warner spent 20 years behind bars for a crime he did not commit. In 1980, police arrested Warner for the killing of a 16-year-old boy in the Brooklyn neighborhood of Crown Heights. His imprisonment, based solely on a mistaken eye witness, robbed him of his freedom from the years of Jimmy Carter all the way to George W. Bush. Warner’s story is the subject of Crown Heights, the second feature film from writer/director Matt Ruskin. The film stars Lakeith Stanfield (Short Term 12) as Warner and Nnamdi Asomugha (Hello, My Name Is Doris) as Carl King, Warner’s best friend who devotes years of his life […]
by Soheil Rezayazdi on Jan 22, 2017 -
Five Questions with Booster Director Matt Ruskin
Too often contemporary crime dramas binge on the crime and skimp on the drama. This is not the case with Booster, director Matt Ruskin’s debut narrative feature, and his followup to Sundance Channel documentary The Hip Hop Project. The story of Simon, a Boston-based petty thief forced to turn to serious robbery after his brother is arrested, Booster features stellar performances from a handful of Boston natives, as well as veteran character actor Seymour Cassel. Ruskin’s film wrestles with provocative moral issues, taking care to imbue even its most externally-loathsome characters with life and heart. Premiering in Narrative Competition today, […]
by Jane Schoenbrun on Mar 12, 2012 -
SXSW REVEALS FULL 2012 FEATURE FILM LINEUP
SXSW has announced their complete 2012 feature film slate. Over 90 films will screen across the festival’s ten categories, including the already announced opening night premiere of Joss Whedon’s Cabin in the Woods and a special preview screening of Lena Dunham’s new HBO series Girls. New additions include the sixteen films premiering in narrative and documentary competition. The eight films competing on the narrative side include Booster, directed by Matt Ruskin, Eden, directed by Megan Griffiths, Gayby, directed by Jonathan Lisecki, Gimme the Loot, directed by Adam Leon, Los Chidos, directed by Omar Rodriguez Lopez, Pilgrim Song, directed by Martha […]
by Jane Schoenbrun on Feb 1, 2012
