Matthew Porterfield
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Family Fortunes, Hard Choices and Master Manipulators: High Notes from the 2017 San Sebastian Film Festival
Last year, it was possible to pick up a bar snack named after Monica Bellucci during the San Sebastian Film Festival; this year cinemagoers at the most prominent event in the Spanish-speaking film world could see the real deal, as the actress arrived in town to pick up a Donostia Award for lifetime achievement. Ahead of the ceremony, she said: “I think that to receive a prize is not just a matter of ego, but a matter of love… My work is a way to know myself better.” Bellucci was one of a clutch of stars on the red carpet […]
by Amber Wilkinson on Oct 2, 2017 -
Take What You Can Carry Director Matthew Porterfield, Producer Zsuzsanna Kiràly and d.p. Jenny Lou Ziegel on Collaborating Outside the System in Germany
With only three features under his belt, Matthew Porterfield has proven himself one of the most original voices in low-budget independent cinema, winning deserved praise from critics and audiences in both the US and Europe. Last year Porterfield made his first short film, the 30-minute Take What You Can Carry, which had its world premiere at the 2015 Berlinale. Inspired by a quote from French author Georges Perec, this self-described meditation on “communication, creativity and physical space” finds the Baltimore native working once more (in a somewhat more abstract mode than his features) with girlfriend Hannah Gross as Lilly, an American in […]
by Andrew Grant on Feb 25, 2015 -
Five Questions with Pavilion Director Tim Sutton
Filmmaker has written about Pavilion before, whether to praise its beautiful website or to highlight an interesting merchandising strategy that director Tim Sutton discussed at last year’s IFP Narrative Labs. But what of the film itself – a meditative, ethereal blend of documentary and narrative, united around the theme of youth in transition. Indeed, Pavilion, which premieres tonight in SXSW’s Emerging Visions section, should speak for itself. The film almost feels like a National Geographic or Planet Earth-style glimpse into the secret lives of teenagers; into those quiet, unseen moments so difficult to capture – or for many of us […]
by Jane Schoenbrun on Mar 9, 2012
