May December
-
Trailer Watch: Todd Haynes’s May December
Here’s the first full trailer for Todd Haynes’s May December, which Netflix acquired at Cannes this year for a reported $11 million. At that time, contributor Blake Williams wrote that the “campy, provocative and sexy May December was the most fun I’ve had at this year’s festival, and stands as the filmmaker’s strongest work since Far from Heaven (2002), if not Safe (1995).” The film will show this Friday as the opening night selection for this year’s NYFF. May December will receive a limited release on November 17 prior to joining the streaming platform on December 1.
by Filmmaker Staff on Sep 26, 2023 -
Inhabiting the Role: Todd Haynes on May/December
Todd Haynes’s May December, which premiered this year at the Cannes Film Festival and was snatched up by Netflix almost immediately, marks a return to the kind of expressive women’s drama for which the director is arguably most beloved. Think Far from Heaven (2002) or Carol (2015), two films about forbidden romance whose lush, stylized aesthetics both encourage nostalgia and destabilize easy emotional identification. As the title suggests, May December, too, concerns a taboo love affair—one whose throwback elements are anchored to the tabloid frenzies and true-crime obsessions of the 1990s. Written by Samy Burch, a casting director making her […]
by Beatrice Loayza on Sep 20, 2023 -
Todd Haynes’s May December Will Open the 61st New York Film Festival
Film at Lincoln Center has announced that the North American premiere of Todd Haynes’s May December will open the 61st edition of the New York Film Festival, to take place from September 29 through October 13. The rest of the 2023 lineup will be announced at a later date. “We are all so proud and moved to have been invited to open the New York Film Festival with the North American premiere of May December,” said Haynes in a press release. “It is a festival that plays a role in my work and life like no other in the world, since […]
by Filmmaker Staff on Jul 11, 2023 -
Cannes 2023: The Zone of Interest, Killers of the Flower Moon, May December
Jonathan Glazer’s The Zone of Interest, instantly hailed as a masterpiece upon the conclusion of its first screenings in Cannes last Friday, finds the British filmmaker once again engineering a vehicle with which to burrow beneath viewers’ skin. After opening his previous film, an adaptation of Michel Faber’s 2000 sci-fi novel Under the Skin, with an on-screen reminder of cinema’s intrinsic visuality—darkness, then pulsating orbs and, finally/explicitly, a dilating pupil—here Glazer turns to the aural. Another literary adaptation (this time of a work by Martin Amis, who died of oesophageal cancer the same day Glazer walked the red carpet), The […]
by Blake Williams on May 22, 2023
