1. A sense of outsideness. Buildings turned inside out on 9-11, and people outside in the streets of Manhattan. The mind, outside of itself with disbelief. The brutal and temporary restoration of the natural world in the middle of one of the world’s largest cities. Located a block from the World Trade Center, Zuccotti Park, terribly damaged on 9-11 and slowly restored, would become the locus of the Occupy Movement. Encampments. Tents. The incongruous sight of camping gear in urban spaces and beneath the shadows of skyscrapers, in a forest of steel and concrete and glass. It is not films […]
by Nicholas Rombes on Dec 19, 2011Originally published in the Winter 2011 issue. Meek’s Cutoff is nominated for Best Feature. Before you see the first image of Meek’s Cutoff, you hear the film. Simultaneously swelling is the whoosh of rushing water and Jeff Grace’s unnerving, anxious score, which sounds like strings on guitar played backwards. Imagine a rusty fence gate slowly opening. That’s your invitation to the film. Then a title card — hand-stitched on what looks like the potato-sack material used to cover a wagon — announces that we’re in Oregon, and the year: 1845. This happens quickly, in less than 20 seconds, but by […]
by James Ponsoldt on Nov 23, 2011Now up on our VOD calendar are titles available for the month of August. Some of the highlights: Meek’s Cutoff, The Beaver, Jane Eyre and John Landis returns to features after over a decade of directing for TV with his dark comedy Burke and Hare (which hits theaters in September), starring Simon Pegg and Andy Serkis as the legendary 19th century body-snatchers. For titles from previous months go to our VOD Calendar homepage.
by Jason Guerrasio on Aug 1, 2011Unless you are a very serious basketball player — at minimum serious intramural league level, or one of those Wall Street guys who absolutely must blow off a ton of steam by playing their hearts out on the court or else they’ll absolutely lose their soul — there is a very distinct qualitative difference between what it feels like to play basketball for a while and to run for a while. After you finish playing basketball for a while you feel good, you’ve gotten some good cardio, but that cardio is intermittent, the game being filled with plenty of pauses […]
by Zachary Wigon on Jun 7, 2011(Meek’s Cutoff is being distributed by Oscilloscope Laboratories. It opens theatrically at the Film Forum in NYC on Wednesday, April 8, 2011. Click on the links to learn more. ) As much as I approve of Kelly Reichardt’s Meek’s Cutoff in every single way, I’ve been finding it incredibly difficult to write a review of it. Not that I don’t have anything worthwhile to say. It’s just that everything I’ve come up with so far sounds like film school pretension. Though term papers could — and hopefully will — be written about how Reichardt revises and revitalizes the traditional Western […]
by Michael Tully on Apr 7, 2011Here’s the trailer for Kelly Reichardt’s new Meek’s Cutoff, which is the cover story of our Spring, 2011 issue.
by Scott Macaulay on Feb 26, 2011Now up on the site are select stories from the Winter 2011 issue. Michelle Williams talks about her upcoming film Meek’s Cutoff, as well as the challenges of trying to shake her Blue Valentine character to prepare. We chat with Apichatpong Weerasethakul about his Palme d’Or winner, Uncle Boonmee Who Can Recall His Past Lives. DP Eric Lin (The Exploding Girl) talks shop with Monogamy cinematographer Doug Emmett. As well as interviews with Limitless director Neil Burger and Mike Ott‘s Gotham Awards’ Best Film Not Playing at a Theater Near You winner, Littlerock. Lance Weiler also delves into his project, […]
by Jason Guerrasio on Jan 25, 2011