Mekong Hotel
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Five Questions with Apichatpong Weerasethakul
Two years after winning the Palme d’Or, Thai filmmaker Apichatpong Weerasethakul returned to Cannes. It was a rare sort of visit, in which he didn’t go home with any awards, having won three major prizes with Tropical Malady, Syndromes and a Century and of course Uncle Boonmee Who Can Recall His Past Lives. He was there with his new film Mekong Hotel, too small and resistant to categorization to neatly fit within any of Cannes’ proper sections. Now, he’s at the 65th Locarno Film Festival with Mekong and his new short film Sakda, but as the president of the Concorso […]
by Adam Cook on Aug 9, 2012 -
LOCARNO CRITICS NOTEBOOK #1
The Locarno Film Festival has carved out a role for itself since Olivier Père took over three years ago, in which it offers the best of all festival worlds. Acting as perhaps the best cross-section of contemporary cinema—or something very close to it—available on the festival circuit, it has often been described as one of the true “cinephilic” fests. Additionally, in order to make this possible, Locarno still needs to be something of a hotspot, and the “glamor” that makes such a reputation possible is also a key component. However, Locarno manages to avoid being an industry-driven media frenzy like […]
by Adam Cook on Aug 6, 2012
