The mix of films in the 10th edition of BAMcinemaFest offers isn’t totally unexpected: a significant plurality of Sundance premieres (tightly curated, or maybe more accurately culled), titles from SXSW and True/False, two North American and three world premieres. The programming, though, is tighter and more original than a simple survey of The Year To Date In Festival Premieres. (I have already written elsewhere about the following titles: América, Bisbee ’17 [which has been cut down substantially since its premiere], Clara’s Ghost, Crime + Punishment, Eighth Grade, Madeline’s Madeline, Shirkers, Skate Kitchen, The Task. Please please please do not miss that last one. I’ll wait to write about Support the […]
by Vadim Rizov on Jun 20, 2018Big news from our friends over at the Film Society of Lincoln Center with two new appointments. Having served as interim editor of Film Comment since Gavin Smith’s departure, Nicolas Rapold will assume the editorial mantle full-time. Michael Koresky — perhaps best-known as the co-founder of Reverse Shot, which he’ll continue to edit — will be joining him as Editorial Director, a position that’s new to the organization. This position calls for overseeing all manner of content both within the magazine and as part of FSLC’s overall strategy. First up on the docket: the launch of a Film Comment app. For slightly more, […]
by Filmmaker Staff on May 2, 2016