Mike Gibisser
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TIFF Wavelengths 2019, Program One: Double Iambs
It grows more difficult with each passing edition to assent to the standard line that the Wavelengths program is a small clearing for artistic purity amidst a shrill, militaristically corporate environment. This has nothing to do with Andréa Picard’s curation—as deft and illuminating this year as any in the decade I’ve attended the Toronto International Film Festival—and everything to do with ongoing shifts in the social and institutional situations of artists interested in making work whose form is other than that of the commercial narrative feature. Shifts within the institutional priorities of the festival itself have required that Picard take […]
by Phil Coldiron on Sep 8, 2019 -
Five Questions with Tiger Tail in Blue Director Frank V. Ross
Right now on Kentucker Audley’s No Budge website, it’s Frank V. Ross week. If that name elicits a blank response, it’s not an uncommon reaction. Though Chicago-based Ross is one of the original class of mumblecore directors, he never received the attention that was given to so many of his DIY peers, such as Andrew Bujalski, the Duplass brothers or Joe Swanberg (a fellow Chicagoan with whom Ross has collaborated numerous times). Nevertheless, his recent films Present Company (2008) and Audrey the Trainwreck (2010) have gained him a number of champions within the indie community, and those two films have […]
by Nick Dawson on Jul 11, 2012 -
“FINALLY, LILLIAN AND DAN” TONIGHT AT NO BUDGE
Mike Gibisser’s beautifully understated indie romance Finally, Lillian and Dan made a bit of an impact on the festival circuit a few years back, but never really got the attention it deserved. Karina Longworth, one of the most vocal champions of the film, said of it: It’s a find, a definite cousin of the work being made in the Bronstein household––as with Frownland, the mumbling here is so stylized and disturbed that it’s like a precision bomb against the twee subtleties explored by other contemporary filmmakers––it’s more like Tourettescore. But there’s also a tenderness here, and lofty aesthetic ambitions underpinned […]
by Nick Dawson on Jun 7, 2012
