Momma’s Man
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BALANCING ACT: AZAZEL JACOBS’ “TERRI”
Originally published in the Spring 2011 issue. Terri is nominated for Breakthrough Actor. There’s a lot of time to talk when you’re driving a U-Haul from Los Angeles to Portland. And when Azazel Jacobs decided to tag along with his friend, the novelist Patrick deWitt, for the multi-state road trip in 2008, it was only a matter of time between rest stops, refills and a break from traveling to ride ATVs that the topic of deWitt’s latest manuscript would come up. What neither knew then was that deWitt’s story about an overweight high school kid would open new possibilities in […]
by Jason Guerrasio on Nov 10, 2011 -
“TERRI” DIRECTOR AZAZEL JACOBS
Azazel Jacobs’ profile has grown steadily since he made his striking, black-and-white debut feature, Nobody Needs to Know, in 2003. He followed it in 2005 with the delightfully quirky and inventive The GoodTimesKid, a film which found a devoted audience on the film festival circuit and was eventually released theatrically in 2007. Jacobs’ third feature, Momma’s Man, a poignant tale of adult regression into childhood, had its world premiere at Sundance. It became one of the hits of the 2008 festival, and played in theaters later that year to universal acclaim. Jacobs, the son of experimental filmmaker Ken Jacobs, grew […]
by Nick Dawson on Jan 18, 2011 -
Azazel Jacobs, Momma’s Man
MATT BOREN, FLO JACOBS AND KEN JACOBS IN DIRECTOR AZAZEL JACOBS’ MOMMA’S MAN. COURTESY KINO INTERNATIONAL. Trying to make it as a director is difficult – and particularly so when your father is one of the most respected filmmakers in his field – however in the last few years Azazel Jacobs has made a name for himself in his own right with a string of individual and resonant films. Jacobs, the son of avant garde filmmaker Ken Jacobs and painter Flo Jacobs, grew up in New York City and studied film at Purchase University in upstate New York. His graduation […]
by Nick Dawson on Aug 22, 2008 -
“MOMMA’S MAN” writer-director, Azazel Jacobs
I have been thinking about this question for a couple days now and I’m stumped. I’m really happy with Momma’s Man and I think extra cash, time… a bit extra of anything could have just fucked it up. Whatever limitations there were — and I had an enormous amount of freedom on this one — were helpful as far as I can see. Sorry if this wasn’t the answer you were looking for, but for me it’s the truth. [PREMIERE SCREENING: Friday, Jan. 18, 11:30 am — Library Center Theatre, Park City]
by Jason Guerrasio on Jan 18, 2008
