Walking around the opening party you couldn’t help but hear the word “rebirth” a lot. As the most heavily pregnant person in the room, this made me jump, but I soon joined in the celebration. The 66th Edinburgh International Film Festival had just opened with William Friedkin‘s Killer Joe, and the evening was a definite success. Not everyone liked the film — there were questions about on-screen violence towards women in particular — but everyone agreed that as an opener, new festival director Chris Fujiwara had hit the right note. Smacked it right on the kisser, you might say. There […]