Monogamy
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WINTER 2011 ISSUE NOW ONLINE
Now up on the site are select stories from the Winter 2011 issue. Michelle Williams talks about her upcoming film Meek’s Cutoff, as well as the challenges of trying to shake her Blue Valentine character to prepare. We chat with Apichatpong Weerasethakul about his Palme d’Or winner, Uncle Boonmee Who Can Recall His Past Lives. DP Eric Lin (The Exploding Girl) talks shop with Monogamy cinematographer Doug Emmett. As well as interviews with Limitless director Neil Burger and Mike Ott‘s Gotham Awards’ Best Film Not Playing at a Theater Near You winner, Littlerock. Lance Weiler also delves into his project, […]
by Jason Guerrasio on Jan 25, 2011 -
SPY CAMERA
For Dana Adam Shapiro’s eerie and erotic relationship drama Monogamy, cinematographer Doug Emmett creates a voyeuristic visual style in line with the film’s conflicted protagonist. Here D.P. Eric Lin chats with Emmett about crafting the film’s unique look.
by Filmmaker Staff on Jan 24, 2011 -
TRIBECA WINNERS
The winners of this year’s Tribeca Film Festival were announced tonight. Feo Aladag‘s When We Leave received the fest’s top honor, the Founders Award for Best Narrative. The film follows a woman and her son as they try to escape her husband’s abuse and finds shelter with a family in Berlin. Best Documentary went to Alexandra Codina‘s Monica & David, which highlights a couple living with Down syndrome. Other winners include Dana Adam Shaprio‘s Monogamy taking home the New York Competition category and the outlandish comedy Spork won the first ever Best Feature in the Tribeca Film Festival Virtual category. […]
by Jason Guerrasio on Apr 29, 2010 -
TRIBECA FILM FESTIVAL, PART TWO
Some good, or at least interesting, films surfaced at Tribeca this year—I’ll get to a few a couple of paragraphs down, and I wrote about others here last week—almost in spite of the umbrella organization itself. You can’t help but wonder: What is the template for this festival, which has been struggling to find its identity since its inception? Toronto, Sundance, Cannes, Berlin? San Francisco, Denver? Answer: It’s not cast from a festival mold at all, in spite of the invaluable input of former artistic director Peter Scarlet and David Kwok, as far as I can tell the only current […]
by Howard Feinstein on Apr 26, 2010
