Finish off Friday with a free movie. Thanks to Magnolia and Lionsgate, we have five Blu-ray or DVD copies to give away of two of the most acclaimed movies of the year: Terrence Malick’s To the Wonder and Jeff Nichols’ Mud. To win copies of both before their release on August 6, all you have to do is email nick AT filmmakermagazine DOT com with the answer to the following question: Which two women worked on films directed by both Malick and Nichols in 2011? (Clue: one is an actress, the other a producer.)
by Filmmaker Staff on Aug 2, 2013Jeff Nichols, a product of the vibrant class of the North Carolina School of the Arts film program that also produced David Gordon Green, Craig Zobel, Michael Tully, Jody Hill, Tim Orr, and Danny McBride, announced himself as a highly talented young filmmaker with his 2007 debut Shotgun Stories. The slow-burning rural drama was gorgeously shot in Scope and revealed Nichols’ ambition to create cinema on a big canvas, even when his budgets were small. Four years later, his sophomore feature, Take Shelter, about a father who believes an apocalyptic storm is coming, caught the imagination of both critics and […]
by Nick Dawson on Apr 26, 2013[PREMIERE SCREENING: Saturday, Jan. 19, 8:30pm — The MARC, Park City] When I first read this question I was immediately struck by how different my answers would be for each of the three films I’ve made. Each answer really shows where I was at in my life during these productions. For Mud, the biggest sacrifice I made was being away from my family. At the time, our son was one, and I missed roughly four months of his life. Despite a few occasional visits during production, I mostly had to block out the fact that I wasn’t getting to be […]
by Filmmaker Staff on Jan 18, 2013(Killer Joe world premiered at the 2011 Venice Film Festival. It is being distributed by LD Entertainment and opens theatrically on July 27, 2012. Be forewarned, gentle viewer: this one has an NC-17 rating! Visit the film’s official website to learn more.) As I get older with each passing year, I’ve begun to process the world—and, by extension, cinema—in a different light. While I’m not turning into an outright prude, I am becoming much less tolerant of art and entertainment that takes a condescending and contemptible attitude towards humanity. On an ethical, theoretical level, there’s no denying that the way […]
by Michael Tully on Jul 26, 2012