Music Documentary
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“King Crimson Being a Way of Doing Things as Opposed to a Set Organism”: Director Toby Amies on His SXSW Doc, In the Court of the Crimson King
When Toby Amies emails me the Vimeo press link to his SXSW-premiering documentary on the band King Crimson, In the Court of the Crimson King, he appends a list of influences. There’s a documentarian (Ross McElwee), a pseudo-documentarian (Christopher Guest), a narrative filmmaker who is a real King Crimson fan (Vincent Gallo) and then a couple of directors whose impact remained a bit puzzling both before and after seeing the film: Ernst Lubitsch and Sam Peckinpah. But perhaps the cinephile (and King Crimson fan) in me was looking too closely, because after watching In the Court of the Crimson King […]
by Scott Macaulay on Mar 16, 2022 -
Gabriel Gomez & Julien Melendez on Robert Black and Possessed
Twenty years ago I spent a week with a Boy Scout troop riding a horse through the canyons of Moab in southeast Utah, feeling like young Indiana Jones in the opening sequence of The Last Crusade. Still, the red rocks, the brush, and the steep cliff walls created an ambiance unlike anywhere else, even the better-known national parks in the area like Arches and Zion and Bryce Canyon. While I was riding around half naively admiring the views, cutting edge musicians like Robert Black, a bassist and founding member of the Bang on a Can All-Stars, were discovering Moab’s acoustic […]
by Randy Astle on Sep 6, 2013 -
COULD YOU BE LOVED: KEVIN MACDONALD’S “MARLEY”
At first it seems curious that the starting point of this brilliant, definitive documentary about the late Jamaican reggae sensation Bob Marley is archival footage of Cape Coast Castle in Ghana, the facility from which 60 million Africans were crammed through the Door of No Return to commence lives of total servitude in the West. Marley was the offspring of a black Jamaican mother and a white English father (who posed as a captain), whom he met only a handful of times. In the film there is no mention of slavery in the family history. Late in this elegantly elliptical movie, Marley […]
by Howard Feinstein on Apr 18, 2012 -
JAY DUPLASS TALKS KEVIN GANT
While I usually avoid Q&As (due to my impatience with too many audience members making statements rather than asking actual questions) I’m glad I stuck around after the screening of Jay Duplass’s short biopic Kevin, if only to meet the doc’s admirable director and arrange for an interview later. Unlike other filmmakers attending this year’s Arizona Int’l Film Festival, Duplass wasn’t in Tucson to publicize his film, per se, so much as to promote its subject Kevin Gant (who also showed up to treat us to a post-screening acoustic set), the Duplass brothers’ musical hero in the early ’90s who […]
by Lauren Wissot on May 20, 2011 -
Matt Wolf, Wild Combination: A Portrait Of Arthur Russell
A REENACTED SHOT OF ARTHUR RUSSELL ON THE STATEN ISLAND FERRY FROM DIRECTOR MATT WOLF’S WILD COMBINATION: A PORTRAIT OF ARTHUR RUSSELL. COURTESY PLEXIFILM. Some people age more quickly than others, and Matt Wolf – both in person and in his work – displays a confidence and maturity that belie his tender years. Twenty-six-year-old Wolf was born and raised in San Jose, California, and spent much of his teenage years watching movies. He won a full-tuition fellowship to study film at NYU, where he made a number of shorts including Smalltown Boys (2003), an experimental biopic about AIDS activist David […]
by Nick Dawson on Sep 26, 2008 -
Steven Sebring, Patti Smith: Dream Of Life
PATTI SMITH IN DIRECTOR STEVEN SEBRING’S PATTI SMITH: DREAM OF LIFE. COURTESY PALM PICTURES. Since he first picked up a camera, Steven Sebring has been defying expectations and blurring genre boundaries. A South Dakota native who grew up in Arizona, Sebring taught himself photography during his teens and then honed his style during several years spent in Europe. Following his return to the States, the mix of glamor and grit he brought to his images made him an in-demand fashion photographer, and also distinguished himself as an inventive celebrity portraitist. His background in fashion and an interest in cinema led […]
by Nick Dawson on Aug 6, 2008 -
Julien Temple, Joe Strummer: The Future Is Unwritten
THE LATE, GREAT JOE STRUMMER IN JULIEN TEMPLE’S JOE STRUMMER: THE FUTURE IS UNWRITTEN. COURTESY IFC FIRST TAKE. For 30 years, Brit Julien Temple has combined his dual passions of film and music, and worked with greats in both fields along the way. He first came to prominence with The Great Rock ‘n’ Roll Swindle (1979), the Sex Pistols’ madcap cinematic offering, and from there went on to become an important figure in the fledgling pop video medium as well as pioneering the feature-length promo with the Human League’s spy-themed Mantrap (1983) and Mick Jagger’s Running Out of Luck (1987). […]
by Nick Dawson on Nov 2, 2007 -
Fast, Cheap and Out of Control
Director Paul Rachman retraces the history of punk rock. Paul Rachman’s American Hardcore is a salute to the U.S. underground punk scene that exploded in 1980. Inspired by Steven Blush’s 2001 book American Hardcore: A Tribal History (Feral House), Rachman’s blunt documentary was culled from over 120 hours of interview footage, as well as a stack of archival concert videos compiled from closets, shoeboxes and fan memorabilia stashes. The film also documents a phenomenon that Rachman and Blush observed firsthand, before the scene fizzled in the mid-’80s. “The scene burned out before anybody came to capitalize on it, so it’s […]
by Jason Guerrasio on Sep 22, 2006 -
ON THE COUCH
At Filmmaker, we’ve interviewed documentarian Joe Berlinger and his partner Bruce Sinofsky several times over the years, and the two are always great explicators of the filmmaking process. Now Berlinger with co-writer Greg Milner has authored Metallica: This Monster Lives, the story of his and Berlinger’s making of the rock’n’roll-meets-therapy doc. And if you bookmark this blog page and skip over Filmmaker’s home page, then you’ve probably missed this downloadable Chapter Five book excerpt, in which Berlinger talks about submitting himself to therapist Phil Towle to discuss his post-Blair Witch 2 issues. Also worth noting in our on-line features section […]
by Scott Macaulay on Nov 13, 2004 -
DOC ROCK MYSTERY
When I read the headline in today’s Variety — “Hanks a Rebel Rocker for Biopic” — I wondered what rock star Tom Hanks (or perhaps his son Colin) could be playing. So, as someone whose music knowledge is pretty good, I was surprised to read that DreamWorks has picked up the life rights to a rock figure whom I know nothing about. According to the trade mag, the studio has bought the life story of “Dean Reed, an American singer, actor and filmmaker whose 15-year career in East Germany was halted by his mysterious death in 1986.” Reed apparently became […]
by Scott Macaulay on Jul 9, 2004
