When it comes time to “punish” the image of a film, say with filtration, grease (generously applied to the front of the lens), or underexposure, cinematographers regress from their dear and safe technical jargon and assume the barbarous dialect of medieval executioners. They don’t just underexpose their picture to see how it reacts under strain, they “suffocate” it, “break” it, and “destroy” it — sometimes in spite of itself. The digital image is nary embraced and mostly worked against, its sterile lines deliberately corroded and beaten to a duller moosh. Cinematographer Lol Crawley BSC (Ballast, 45 Years) tortures the film […]
by A.E. Hunt on Jan 21, 2019Pablo Larrain’s Jackie is one of my favorite films of the year. You can read my interview with the director in the current print edition of Filmmaker, and you can see more of the film in this new trailer, just out from Fox Searchlight. It’s more revealing than the earlier teaser trailer Stephen Garrett wrote about here, and, in some ways, quite different in tone, foregrounding the political mythmaking element of the story. Check it out above.
by Scott Macaulay on Nov 14, 2016The camera pushes tight in on Natalie Portman’s distressed face, a layer of 16mm grain putting a slight filter on her perfect features. From the very beginning, we’re too close; the customary distance from an iconic first lady is gone. Also missing are biographical flashbacks, or early happy moments, or pretty montages locating Jacqueline Bouvier Kennedy within the tapestry of her husband’s life and administration. No, Pablo Larraín’s Jackie, which follows the first lady in the days following John F. Kennedy’s assassination, begins in a kind of emotional media res, a heightened state accentuated by the dark chords of Mica […]
by Scott Macaulay on Oct 20, 2016Revealing enough but not too much is this first teaser trailer for Pablo Larraín’s Jackie, for me, one of the best films of the year. Natalie Portman stars as the widowed First Lady, Jacqueline Bouvier Kennedy, in the days following her husband’s assassination. In addition to being a bold psychological portrait, it’s also a clear-eyed dissection of the Camelot myth, referenced here, ironically, through Richard Harris’ singing.
by Scott Macaulay on Oct 5, 2016Natalie Portman optioned the rights to Amos Oz’s bestselling memoir A Tale of Love and Darkness more than eight years ago. The Israeli-born actress reportedly met with the writer before adapting the screenplay herself. Now the film, written, directed, and starring Portman, gets a trailer (above). Shot by veteran Polish DP Slawomir Idzia, the Hebrew-language film tells the story of a troubled young mother, Fania Oz (Portman), as she raises young Amos (Amir Tessler) during the turbulent early days of the state of Israel. Focus World will release the film, which premiered at Cannes last year, in theaters on August […]
by Paula Bernstein on Jul 22, 2016That was quite surreal. I’ve been to just two events like that before, so the red carpet shenanigans, seeing so many “movie stars” and directors you’ve listened to on DVD commentaries, and being in a room with so many people you’ve tried to get financing from – is really a strange experience. The kind that makes you all wild eyed and sweaty palmed. But mostly I was really truly just very happy to be there and felt very safe that we weren’t going to win anything and that I was just lucky to be included, to be in the group, to […]
by Mike Mills on Dec 1, 2011The Film Independent Spirit Awards just wrapped (see it on IFC tonight @ 10ET) and Darren Aronofsky‘s thriller Black Swan was the big winner taking home four awards, including Best Feature, Best Director for Aronofsky and Best Female Lead for Natalie Portman. Winter’s Bone won the supporting acting prizes with John Hawkes taking it for actor and Dale Dickey for actress while James Franco won Best Male Lead for 127 Hours, Banksy‘s Exit through the Gift Shop won Best Documentary and Lisa Cholodenko and Stuart Blumberg won Best Screenplay for The Kids Are All Right. Also, “25 New Face” alum […]
by Jason Guerrasio on Feb 26, 2011This piece was originally printed in the Fall 2010 issue. Black Swan is nominated for Best Picture, Best Director (Darren Aronofsky), Best Actress (Natalie Portman), Best Cinematography (Matthew Libatique), Best Editing (Andrew Weisblum). Darren Aronofsky was developing a project based on Russian novelist Fyodor Dostoyevsky’s 1846 novella, The Double, when he happened to go to a production of another Russian work, Swan Lake, the 1875 ballet composed by Peter Tchaikovsky. Seeing the ballet’s White Swan and Black Swan played by the same ballerina, Aronofsky experienced what he called a “Eureka” moment, realizing that The Double’s themes of splintering identity and […]
by Scott Macaulay on Feb 25, 2011Director Asa Mader and choreographer Benjamin Millepied, currently being celebrated for his choreography for Darren Aronofsky’s Black Swan, have collaborated on a short starring Millepied and French actress Lea Seydoux. (Update: Millepied is also being reported as Natalie Portman’s fiance and the father of her baby.) From Nowness: After meeting at a dinner one night about five years ago, director Asa Mader and current principal of the New York City Ballet Benjamin Millepied struck up a friendship. “We immediately had a connection,” says Mader. The duo subsequently holed up over a long weekend in the Hamptons (they stayed at the […]
by Scott Macaulay on Dec 12, 2010Looks like vintage Aronofsky. Can’t wait to see it. What do you think?
by Jason Guerrasio on Aug 17, 2010