Netflix
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Movie Business Shrinking
A curious occurrence took place in the wake of the Aurora, CO, mass killing on the opening night screening of the latest Batman release, The Dark Knight Rises. Revenue from opening weekend ticket sales was $211.8 million, slightly less than the $222.2 million for The Dark Knight. This was the highest box office gross for a conventional 2D movie for 2012. While the large turnout for the movie can be linked to a response to the shootings as much as the appeal of the movie, the numbers hide a darker truth. The movie business is shrinking. Ticket sales and DVD […]
by David Rosen on Jul 30, 2012 -
MEDIA CURRENT: NEWS & ANALYSIS FOR INDIE MAKERS
Indie-Current is a monthly heads-up tracking developments effecting the indie film scene. It’s a big — and forever getting bigger – world out there, so readers are encouraged to e-mail me stories I’ve missed or something you believe is important for others in the indie community. I can be reached at drosennyc@verizon.net. * * * Occupy Wall Street rocks To shouts of “We Are the 99%,” the Occupy Wall Street movement is spreading throughout the country and the world. Indeed, the whole world is watching. FCC latest scam On October 27th the Federal Communications Commission (FCC) announced a plan to reform the […]
by David Rosen on Nov 2, 2011 -
5 HORRORS YOU CAN WATCH ON NETFLIX RIGHT NOW
Netflix has been getting a lot of heat lately, but with this being Halloween I thought it would be nice to put all issues aside for at least a day and get into the season. Here’s five horrors you can stream right now. Why only five? Well, assuming you indulged in some of your ghoulish favorites over the weekend, five seems about right for just today. And don’t be shy, comment below on what you’re watching. Happy Halloween! 5. Cronos Guillermo del Toro‘s debut feature still creeps me out. A testament to low budget ingenuity, the film follows an aging […]
by Jason Guerrasio on Oct 31, 2011 -
WHY NETFLIX IS CRASHING
Felix Salmon at Reuters has a succinct explanation of why Netflix stock is crashing. (Note to non-investors: a stock and a company are two different things. A stock looks at not only current value but future growth potential. Thus, a good company with a healthy but slowly growing business can be worth less than a similarly sized company that might be losing money but is expected to grow into larger earnings.) In a post titled “Why Netflix Stock is So Volatile,” he explains that Netflix’s meteoric rise to a $300 share price drove short sellers from the stock. Then, when […]
by Scott Macaulay on Oct 25, 2011 -
MEDIA CURRENT: NEWS AND ANALYSIS FOR INDIE MAKERS
The world of indie filmmaking is forever colliding with the larger worlds of technology and giant media conglomerates, regulatory and legal developments, non-profit groups and a fickle consumer who loves indie film and other indie media. “Media Current” is a monthly heads-up tracking these developments. It’s a big — and forever getting bigger – world out there, so readers are encouraged to e-mail me stories I’ve missed or something they believe is important for others in the indie community. I can be reached at drosennyc AT verizon.net. Shrinking Universe One of the important, if least appreciated, developments of the independent […]
by David Rosen on Aug 2, 2011 -
FESTIVAL FILM WATCHING AND THE DEATH OF THE DVD
I always feel odd holed up in my hotel room watching DVDs while at a film festival. After all, a film festival is supposed to be festive, and that means audiences, excitement, buzz. But invariably, once you’ve missed a screening those DVD screeners that weren’t available pre-fest are suddenly pressed into your hands by anxious publicists. Or, maybe you just meet a cool filmmaker on the shuttle bus and agree to watch HIS short that night. If you’re doing your job as a journalist, at least some of your festival stay will be spent watching DVDs in your room, perhaps […]
by Scott Macaulay on Jul 29, 2011 -
VIDEO ON DEMAND CALENDAR NOW ONLINE!
It’s an idea that has been swirling around the Filmmaker Magazine office for quite a while and today it became a reality with the launch of our Video On Demand calendar. Every month we will unveil a curated list of independent film titles that we feel are worth checking out through On Demand cable providers and streaming services. You’ll find some titles we’ve already covered online or in the magazine when they played theatrically, while others are festival favorites that are premiering on VOD. We also give our “VOD Pick of the Month” and note if a title is available […]
by Jason Guerrasio on Mar 9, 2011 -
More on Netflix, Criterion and Hulu
Today we, along with seemingly everyone else in the film blogosphere, announced Criterion’s exclusive deal with Hulu, which will see some 800 Criterion titles stream to viewers on the Hulu Plus service. And, like everyone else, we had to add a small update when we realized that Hulu’s gain is Netflix’s loss. The Criterion titles we Netflix subscribers are used to watching (just last week, for example, I saw Agnes Varda’s Cleo from Five to Seven) will soon be leaving the service. Over at Hulu, Criterion President Peter Becker launches a blog with this declaration of love for the label’s […]
by Scott Macaulay on Feb 15, 2011 -
Criterion Joins Hulu Plus
Beginning today The Criterion Collection has made available over 150 titles from its library on Hulu’s paid service, Hulu Plus. Known best as a destination for streaming the latest in popular TV series (as well as full runs of some TV shows), with the Criterion deal (only available in the U.S.) Hulu is trying to grab the attention of movie buffs, while keeping pace with it’s biggest competitor, Netflix. UPDATE: A spokesperson for Criterion confirms that Hulu will exclusively stream Criterion titles by year’s end. With today’s launch you can stream some of the Criterion essentials: The 400 Blows, The […]
by Jason Guerrasio on Feb 15, 2011 -
WHAT’S IN MY INSTAPAPER: SUNDAY MORNING LINKS, 1/16/11
A quick, commentary-lite version… Joseph Conrad wrote a science-fiction novel. “Young and Restless Never Gets Old” — Dennis Lim in the Times on Gregg Araki. Big tech news this week: Google announces that it won’t support the H.264 codec and the HTML5 video tag in its Chrome browser in favor of its own WebM codec. It’s all very complicated and tech-y, but Google’s argument is that they’re supporting “open standards” by backing a codec without royalty issues. Problem is, Apple’s Safari and Microsoft’s IE both use the H.264 format and the short-term victor is likely to be Adobe, whose Flash […]
by Scott Macaulay on Jan 16, 2011
