Netflix
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“Long Time Artistic Relations Are Fascinating… And Hard to Maintain”: Rick Linklater on “Nouvelle Vague” and “Blue Moon”
One of our most prolific independent American filmmakers, Richard Linklater, now has two new movies in release. Nouvelle Vague and Blue Moon are both evocations of transformative moments in, respectively, narrative cinema and Broadway musical theater. Both are period films, ingenious in form and generous in spirit — in other words they are two of the best films of the year. Nouvelle Vague is set in Paris in 1959, when many of the critics who had formed a community around the magazine Cahiers du Cinema had already directed at least one feature. Desperate to catch-up was Jean-Luc Godard. Nouvelle Vague […]
by Amy Taubin on Nov 4, 2025 -
Global Warming ‘Knows No Ideology, No Political Boundaries'”: Bonni Cohen, Pedro Kos and Jon Shenk on The White House Effect
Bonni Cohen, Pedro Kos and Jon Shenk’s The White House Effect is an intriguing all-archival trip back in time to the precise moment in US politics when we arguably could have turned the page on climate change. From 1988-1992, Yale grad and oil company founder George H.W. Bush was commander-in-chief; not only did Bush. Sr. improbably make vocal his belief that global warming (“The Greenhouse Effect”) was real, but promised to employ “the White House effect” to counter it. Which included appointing as EPA chief Bill Reilly, an avid conservationist and veteran of Nixon’s Presidential Council on Environmental Quality and […]
by Lauren Wissot on Oct 30, 2025 -
“We Have to Think Deeply about Community Policing”: Geeta Gandbhir on The Perfect Neighbor
With Geeta Gandbhir’s The Perfect Neighbor premiering on Netflix today, we’re reposting our interview with Gandbhir out of this year’s Sundance Film Festival. — Editor Geeta Gandbhir’s The Perfect Neighbor, which premiered in the US Documentary section of this year’s Sundance, is likely one of the first feature docs primarily composed of police body camera footage. Sifting through footage with editor Viridiana Liberman (The Sentence), Gandbhir builds out a suspenseful and heartbreaking portrait of neighborly violence in a close-knit Central Florida community, after white woman Susan Lorincz fatally shot Ajike Owens—Gandbhir’s sister-in-law’s best friend, though Gandbhir didn’t know Owens personally. Given […]
by Ritesh Mehta on Oct 17, 2025 -
“The Nail Came Off, But We Got the Shot and That’s All That Matters”: Forever Star Lovie Simone, Back To One, Episode 342
The young but wise Lovie Simone is best known for Selah and The Spades and The Craft: Legacy. Now she stars in the hit Netflix series Forever, an adaptation of the Judy Bloom book. On this episode, she talks about the giant role music plays in her preparation, why having a Black hair & make-up person on set is crucial to her work, “importance over relevance,” “quality over quantity,” her love of words “and the weight of each word,” the “accidental” way she and Michael Cooper Jr. built their Forever chemistry, plus much more. Back To One can be found […]
by Peter Rinaldi on May 20, 2025 -
“I Thought Maybe Directors Have This Magical Thing Where They Can Judge a Performance”: DP Rodrigo Prieto on his Directorial Debut, Pedro Páramo
Based on the novel by Juan Rulfo, a key work in Mexican literature, Rodrigo Prieto’s Pedro Páramo follows several characters across decades as they search for answers to their lives. The story unfolds in arid villages and lush haciendas, against a backdrop of feudal aristocracy and a powerful Catholic church. First seen at a crossroads in a desolate landscape, Juan Preciado (Tenoch Huerta) sets out to keep a promise to reconnect with his estranged father Pedro Páramo (Manuel Garcia-Rulfo). In his journey Juan encounters others who have dealt with his father: criminals, priests, the deaf and blind, and above all, […]
by Daniel Eagan on Nov 26, 2024 -
“You Just Have to Learn to Adapt”: Chase Stokes, Back To One, Episode 310
His breakout role in Netflix’s Outer Banks catapulted Chase Stokes to fame. In the series, he portrays the charismatic and determined John B, the leader of a group of young outcasts on a treasure hunt in the Outer Banks of North Carolina. The show’s blend of adventure, mystery, and coming-of-age drama quickly gained a massive fanbase, establishing Stokes as a rising star. Since then he’s been in Tell Me Your Secrets, this year’s The Uglies, opposite Joey King, and next year’s Valiant One, not to mention Season 4 of Outer Banks, which is dropping in October. On this episode, he […]
by Peter Rinaldi on Sep 24, 2024 -
“Be With the Girls, Be Active Listeners, Be in Awe of Their Imagination”: Angela Patton and Natalie Rae on Their Powerful Netflix-Premiering Doc, Daughters
In 2012, Angela Patton delivered a viral TED Talk about her revolutionary Date with Dad prison program—a father-daughter dance between incarcerated dads and their daughters, giving separated families a unique chance to connect and reunite without any physical barriers. The CEO of Girls for a Change—a youth development nonprofit with a mission to empower Black girls in Central Virginia—Patton then found a partner in Natalie Rae, who reached out to collaborate on a film together. The result of their nearly a decade-in-the-making work is Daughters, a heartrending documentary that premiered in Sundance in January 2024, where it was bought by […]
by Tomris Laffly on Aug 22, 2024 -
“The Hardest Thing Is To Get Out of Your Own Way”: Lady In The Lake‘s Y’lan Noel, Back To One, Episode 300
Y’lan Noel played Daniel in the HBO series Insecure starred in The First Purge, and now he plays Officer Platt in Lady in The Lake, Alma Har’el’s eagerly anticipated new series for Apple TV+ that drops on July 19th. On this episode, he discusses his unique approach to the work, which starts with, and centers on, daydreaming and the avoidance of aiming to do “the right thing.” He talks about allowing for “an energy that’s not me to make certain decisions;” the importance of solitude, space, stillness; how Har’el’s willingness to leave room for the mystical served his process; and […]
by Scott Macaulay on Jul 16, 2024 -
“Establishing the Idea of Ending Scenes Abruptly…”: Editor Greg Jardin on It’s What’s Inside
In the Sundance 2024 Midnight premiere It’s What’s Inside, the feature debut of writer-director Greg Jardin, an uninvited guest with a mysterious suitcase derails a pre-wedding party. Below, Jardin discusses what led him to edit his own film, the balance between long shots and flutter cuts, and more. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Jardin: I started out directing low-budget music videos, which I more or less […]
by Filmmaker Staff on Jan 31, 2024 -
“Ninety Percent of Our Film Takes Place In One Location” | Greg Jardin, It’s What’s Inside
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? Ninety percent of our film takes place in one location, which makes that the default answer – a giant house in the middle of nowhere. The whole impetus behind the film’s premise was coming up with something that could unfold in a single […]
by Filmmaker Staff on Jan 31, 2024
