When I caught up with Martin Eden during the pandemic, I liked it pretty well but didn’t understand “what, exactly, is the value of […] a eulogy for the Western European project’s dissolution at this late date.” Whoops! I don’t know why I couldn’t grasp why Pietro Marcello wanted to delve into fascism’s allure for charismatic upstarts in 2019; I certainly get it now, so perhaps my positive response to his tepidly-received Duse is, in part, a delayed apology for spacing the first time round. This film’s project is, pretty precisely, gender-flipped Martin Eden (more succinctly, per my colleague Mark […]
by Vadim Rizov on Oct 15, 2025
Pin de Fartie (2025), directed by independent Argentinian collective El Pampero Cine member Alejo Moguillansky, is less an adaptation of Samuel Beckett’s one-act play Fin de Partie (1957) than a centrifugal expansion unfolding into multiple nested narratives riffing on the play’s themes: death, departure and the approach of an ending. Marking a tonal shift from Moguillansky’s ensemble comedies, Pin de Fartie possesses a sense of wistful tragedy. The title refers to the end of a chess game; here, it signals the twilight of relationships––both filial and romantic––against the current approach of the end of civilization. Each sequence of Pin de […]
by Cici Peng on Oct 8, 2025
In Bouchra, 3D animated anthropomorphic animals may populate the world, but the intricacies of their lives are unmistakably human. This approach is par for the course for the film’s co-directors, the Brooklyn-based visual artists Meriem Bennani and Orian Barki, whose bite-size episodic project 2 Lizards captivated viewers during the early stages of lockdown in 2020—and landed them on our 25 New Faces of Film list the same year. In the latter project, the eponymous 3D-rendered lizards (voiced by Bennani and Barki) shoot the shit about celebrities, news coverage, pandemic-era anxieties and the morbid relief of being able to shirk social […]
by Natalia Keogan on Sep 29, 2025
Film at Lincoln Center announced today the 34 films that comprise the Main Slate of the 2025 New York Film Festival. The Opening Night film is Luca Guadagnino’s After the Hunt, and Jim Jarmusch’s latest, Father Mother Sider Brother is the Centerpiece. The Closing Night film, Bradley Cooper’s Is This Thing On?, is a world premiere, and it joins others including Gavagai by Ulrich Köhler (In My Room, NYFF56), “an astute drama in which a film adaptation of Medea becomes the center of cross-cultural tensions.” From Sundance there is Khalil Joseph’s BLKNWS: Terms & Conditions, from Venice Laura Poitras and Mark Obenhaus’s […]
by Scott Macaulay on Aug 5, 2025