A glorious last gasp of the classical Hollywood studio system gets a reference quality upgrade with Paramount’s 4K disc of My Fair Lady, the best of the gargantuan musicals that would hit their commercial apex with The Sound of Music in 1965 and nearly sink the industry with Doctor Dolittle and Star! just a few years later. Released in 1964, My Fair Lady is an early entry in the cycle and an expertly modulated one thanks to the firm hand of director George Cukor, whose work was always characterized by a harmonious interaction between performance, composition, camera movement and cutting—Cukor […]
by Jim Hemphill on Jun 4, 2021From 1986, the year in which he made two flat-out masterpieces (Salvador and Platoon) to 1995, when he directed his boldest and richest film to that point (Nixon), Oliver Stone was on a streak like no other filmmaker has ever had before or since. Ten films in ten years, many of them (Born on the Fourth of July, JFK, The Doors) enormous epics and all of them ambitious attempts to assess where America had been, where it was, and where it was going. The scale and depth of Stone’s work during this period is equaled by the diversity of tone, […]
by Jim Hemphill on Apr 27, 2018The Independent Filmmaker Project (IFP), Filmmaker‘s parent organization, announced today that Ethan Hawke and Amy Adams will be presented with Actor and Actress Tributes, and Oliver Stone will receive the Director Tribute at the 2016 IFP Gotham Independent Film Awards set for Monday, November 28th at Cipriani Wall Street in New York City. “We are honored to have Amy Adams, Ethan Hawke, and Oliver Stone as our Actress, Actor, and Director Tribute honorees at this year’s Gotham Awards,” said Joana Vicente, Executive Director of IFP and the Made in NY Media Center. “Each with a remarkable body of work that […]
by Filmmaker Staff on Sep 7, 2016[Editor’s note: the following interview is an excerpt from Matt Zoller Seitz’s The Oliver Stone Experience, out September 13 from Abrams Books. This excerpt from Seitz’s book-spanning interview with the director covers Stone’s life and career from his first feature, Seizure, through the production of Midnight Express and his initial, frustrated efforts to get Platoon made.] I had a nightmare, and it became the basis of Seizure. It came to you all in a dream? Yeah, it did. It felt like a fever dream. A father ends up betraying his son, like a coward, and runs away and wakes up, and of course he thinks it’s all […]
by Matt Zoller Seitz on Aug 30, 2016From 1986 to 1995, writer-director Oliver Stone directed ten films in ten years which, taken together, comprise the most complex, provocative, and illuminating cinematic inquiry into American values since John Ford. The magnitude of his achievement seems virtually impossible in today’s Hollywood and was probably nearly as unlikely then. After a pair of powerful independent films exploring American foreign policy in Latin America (Salvador) and Vietnam (Platoon), Stone used the commercial success of the latter to harness studio resources at the service of a series of massively ambitious works, including an epic answer to and repudiation of the postwar mythology […]
by Jim Hemphill on Dec 3, 2015Following on from the announcement of its main slate, the New York Film Festival has unveiled the event’s sidebar programs, which includes a sneak preview of three episodes of Oliver Stone’s forthcoming Showtime series Untold History of the United States. For me, the most exciting strand of those just announced is Cinema Reflected, which has such titles as Room 237, Rodney Ascher’s obsessional examination of Kubrick’s The Shining; Marina Zenovich’s follow-up doc Roman Polanski: Odd Man Out; a bizarre concoction by Taxidermia director György Pàlfi called Final Cut — Ladies and Gentlemen which proclaims to be scenes from 450 of […]
by Nick Dawson on Aug 21, 2012“Fuck you.” With those opening words of Savages, author Don Winslow delivered a kick to the teeth of the literary world. The jarring and unorthodox novel — about a trio of beach bum lovers-turned-drug kingpins and with a writing style that ranges from poetry to screenplay — became a New York Times Bestseller and a shot in the arm to Winslow’s already successful career. The author had penned more than ten novels prior to Savages, including the Neal Carey series, while moonlighting as a private investigator during grad school and the meticulous DEA/drug cartel fueled intrigue of The Power of the Dog, […]
by Billy Brennan on Jul 5, 2012The Film Society of Lincoln Center has announced more titles to the 49th New York Film Festival, including Joe Berlinger and Bruce Sinofsky‘s Paradise Lost 3: Purgatory, with the much publicized new ending that surrounds the release of the West Memphis 3 (pictured). Oliver Stone will also have a sneak peak preview of his 10-part documentary for Showtime, The Untold History of the United States, which will air in 2012. Also announced are Masterworks and Special Anniversary screenings. Read the new slate of titles below. NYFF will take place this year Sept. 30 – Oct. 16. See closing night and […]
by Jason Guerrasio on Aug 24, 2011In person, Abel Ferrara is a whirlwind of gestures and jokes, of quick smiles and vulgar asides, digressions piled upon digressions, even if he’s much sharper and in control of his staccato New Yorkese vernacular than he lets on. Ferrara, who will turn 60 this year, has had one of American indie cinema’s strangest and most fascinating careers, one which has taken the Bronx native from the old 42nd Street’s row of exploitation and porn cinemas to the Croissette in Cannes. Often we talk of middle-aged artists mellowing, but Ferrara maintains a manic, youthful energy that is both infectious and […]
by Brandon Harris on Jan 11, 2011A powerful statement from U.S. directors calling for the release of director Jafar Panahi from prison in Iran has been issued. I’ll let the petition speak for itself, but kudos to the organizers for taking action and assembling this illustrious group. New York, NY (April 30, 2010) – Jafar Panahi, an internationally acclaimed Iranian director of such award-winning films as The White Balloon, The Circle, Crimson Gold and Offside, was arrested at his home on March 1st and has been held since in Tehran’s notorious Evin prison. A number of filmmaking luminaries have come to Mr. Panahi’s defense and “condemn […]
by Scott Macaulay on May 1, 2010