Oscars
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How To Run a DIY Oscar Campaign
Now that the drama is over about whether the Academy would disqualify Andrea Riseborough for her rules-skirting DIY Oscar campaign for To Leslie, we can now return to the question every indie filmmaker wants to know. Just how do you run a DIY Oscar campaign on an indie film that grossed less than $30,000? I don’t know exactly how she did it, but I can tell you how I did it with my recent Watergate thriller/comedy 18½ that grossed about the same (though with slightly different results). In short, the road to getting an Oscar nomination (much less an award) […]
by Dan Mirvish on Mar 10, 2023 -
Do You Need to Premiere at a Major Festival to Qualify your Doc for an Oscar? Roger Ross Williams on the Shortlist Process
One of the most intriguing aspects of this year’s Savannah Film Festival’s Docs to Watch Roundtable, which I wrote about a couple months back, was the lively back-and-forth that occurred when the subject of the Oscar shortlist came up. From all appearances it seems that a documentarian’s chances of making that Holy Grail cut are “predetermined” — i.e., if your film didn’t debut at one of a narrow number of A-list fests, well, forget about it. However, Roger Ross Williams, a member of the Documentary Branch of the AMPAS board of governors, took vigorous issue with that assessment. Which intrigued […]
by Lauren Wissot on Jan 2, 2017 -
The 2014 Oscars Documentary Feature Shortlist is Announced
The Oscars have released their shortlist of the 15 documentary features eligible for the Academy Award that have advanced to the next stage of consideration; the final five will be announced along with all other nominations on January 15. The titles and directors below, with links to our previous coverage as applicable: Art and Craft (Sam Cullman, Jennifer Grausman, Mark Becker) — click here to read a guest post from the directors about completing their film’s score. The Case Against 8 (Benjamin Cotner, Ryan White) — click here to read the directors’ pre-Sundance statement about their film. Citizen Koch (Carl […]
by Vadim Rizov on Dec 2, 2014 -
Women in Film vs. TV: Why the Disparity?
One of the biggest conundrums I’ve experienced as a female filmmaker is watching the women of television advance so much farther than their counterparts in film. Why is there such a great disparity? Take for example this year’s Emmy nominations list. Looking only at nominations for directing, women have the opportunity take a number of prizes home: For Outstanding Directing For A Drama Series Breaking Bad. Episode: Gliding Over All. Directed by Michelle MacLaren. Homeland. Episode: Q&A. Directed by Lesli Linka Glatter. For Outstanding Directing For A Comedy Series Girls. Episode: On All Fours. Directed by Lena Dunham. Modern Family. […]
by Katie Carman-Lehach on Aug 19, 2013 -
10 Lessons on Filmmaking from Beasts of the Southern Wild’s Benh Zeitlin
Despite legions of advice to the contrary, there is no quick-fix scheme toward making a feature film. What it really comes down to is creating a universal story and surrounding yourself with people who believe in your vision enough to see it come to life. Benh Zeitlin proves that to make a powerful film today, you don’t need gimmicks, a convoluted strategy, or even connections in the business. All you really need is a story so strong that it’s impossible not to make. The 30-year-old Zeitlin’s journey from short to feature is a true fairytale in the landscape of American indie […]
by Ariston Anderson on Feb 22, 2013 -
Genre at the 2013 Oscars: Live Action Short Death of a Shadow
The Oscars are not generally considered a crucial event for genre lovers; the inclusion of such films is often limited, and often ghettoized, relegated to technical awards only. This year there are several films in requisite categories like Makeup and Hairstyling, and Visual Effects (whose nominees include The Hobbit: An Unexpected Journey, The Avengers, Snow White and the Huntsman, and Prometheus). Another good category where one can snoop out genre fare is in Best Animated Film, and 2013 doesn’t disappoint, with the lovingly crafted and decidedly Gothic take on suburbia in ParaNorman and Tim Burton’s tale of a boy and […]
by Farihah Zaman on Feb 22, 2013 -
ACADEMY PICKS 15 DOCUMENTARY OSCAR FINALISTS
The Academy of Motion Picture Arts and Sciences Documentary Branch Screening Committee has announced the 15 film shortlist for the Best Documentary Oscar. The selections were culled from a list of 124 eligible titles. Some Filmmaker favorites, including films by 25 New Face Directors Danfung Dennis (Hell and Back Again) and Marshall Curry (If a Tree Falls: A Story of the Earth Liberation Front) are in the mix, as are Wim Wender’s Pina, Suki Hawley and Michael Galinsky’s Battle for Brooklyn, and Joe Berlinger and Bruce Sinofsky’s Paradise Lost 3. I was sad to see more experimental docs like Bombay […]
by Scott Macaulay on Nov 18, 2011 -
Cinematographer Barry Ackroyd Talks The Hurt Locker
Cinematographer Barry Ackroyd has shot almost 50 features with numerous directors, but when it comes time to discuss his work on Kathryn Bigelow’s The Hurt Locker, his collaborations with two other helmers need to be referenced. The first is Ken Loach, the director Ackroyd is most associated with. The Manchester, England-born d.p. has shot many of Loach’s films, including Raining Stones, Ladybird Ladybird, Land and Freedom, the Palme d’Or-winning The Wind That Shakes the Barley, and his upcoming Looking for Eric. In these films he developed an unadorned, naturalistic camera and lighting style that gave them an almost doc-like verisimilitude. […]
by Scott Macaulay on Nov 14, 2011 -
THIS IS YOUR OSCAR HOST ON THE INTERNET
When it comes to James Franco’s Oscar-hosting performance, which has been described as squinty and blasé, I’m not going to pile on for two reasons. The first is that I’d suck at hosting something like this. Panels, Q&A’s, I’m fine, but hosting a nearly four-hour show, even with an amped-up cohost? My hat’s off to anyone who tries. (Especially anyone who tries with less than top-notch writing… what was up with that?) The other reason? Well, I recognize too well that frozen smile, that seemingly focused but actually distracted into-the-distance gaze. It’s not like Franco didn’t want to be there. […]
by Scott Macaulay on Feb 28, 2011 -
PAUL HAGGIS REACTS TO SCIENTOLOGY STORY
You couldn’t escape it if you tried. Where ever you went, whoever you talked to, and whenever you were on Twitter and/or Facebook for the last few weeks, The New Yorker piece on Paul Haggis and the inner workings of Scientology has been the topic of discussion. The USA Today asked Haggis about the story at a Vanity Fair Oscar party Tuesday night and the Oscar-winning director says he stands by it. Haggis, who was a member of the Church of Scientology for over 30 years, disbanded from the religion in 2009 after the church refused to publicly denounce Proposition […]
by Jason Guerrasio on Feb 23, 2011
