Considering last year’s Locarno Film Festival presented what turned out to be some of the best films of 2014 – Lav Diaz’s From What Is Before, Pedro Costa’s Horse Money, Martín Rejtman’s Two Shots Fired and Matías Piñeiro’s The Princess of France – artistic director Carlo Chatrian had a lot to live up to in his third year of tenure. Unbelievably, when the program of the festival’s 68th edition was announced, the main competition featured an even more impressive selection of auteurs. Though the extremely high expectations weren’t quite met, it was nevertheless an excellent year, and for every disappointment […]