South Korean director Park Chan-wook returns six years after The Handmaiden with Decision to Leave, a romantic thriller that won him the Best Director prize at the Cannes Film Festival earlier this year. A new trailer has been released ahead of the film’s forthcoming screening at the New York Film Festival. Thought plot details are best kept sparse, the trailer hints at palpable chemistry between a detective and a recently-widowed woman. When investigating the death of a man who has fallen off of a mountain, said detective (Park Hae-Il) decides to question the deceased’s “young, beautiful and foreign” wife (Tang […]
by Filmmaker Staff on Sep 15, 2022“Mr. Park Chan-wook is not giving any interviews. Sorry.” The Korean auteur was one of the biggest names present at the recently concluded 31st Jerusalem Film Festival, second only perhaps to Spike Jonze (who doesn’t really make for charming interviews). The problem with big names at festivals, though, is that securing a short meeting with them — let alone an interview — is difficult. The curt message from the festival press department, quoted above, is an example of that. Nevertheless, armed with the kind of resilience and never-say-die attitude that arises naturally out of journalistic passion and an empty bank […]
by Laya Maheshwari on Jul 22, 2014Stoker, South Korean filmmaker Park Chan-wook’s long-awaited English-language debut, has already proven divisive, its moral murkiness and arguable cynicism as beguiling to some as they are troubling for others. But however one feels when walking away from this Gothic, slow-burning psycho-thriller, which explores the curious workings of its titular family (the surname’s an intended nod to a certain vampire-loving author), it’s hard to deny that it’s the work of a master stylist, whose obsessive attention to detail is intoxicating, and, these days, far too rare. A parade of pristine compositions, technical flourishes, and production design that’s adamantly era-nonspecific, Stoker plays […]
by R. Kurt Osenlund on Mar 4, 2013The early months of the year are typically something of a cinematic wasteland dominated by substandard horror movies and thrillers, films that act as a palate cleanser to rid us of the taste of all those worthy pictures that awards season has fed us. Park Chan-Wook’s first Hollywood film, Stoker, is set to drop on March 1 next year, just as the bad starts turning to better; it looks like both a gripping genre piece and visually stunning, and personally I can’t wait to see it. Interestingly, though this is an American film, only the screenwriter (former Prison Break star […]
by Nick Dawson on Sep 27, 2012The U.S. red-band trailer for Park Chan-wook’s Sympathy for Lady Vengeance is here.
by Scott Macaulay on Apr 6, 2006