West of Memphis is a testament to the power of documentary–and celebrity–to effect social change. If that sounds grandiose then consider that Joe Berlinger and Bruce Sinofsky’s Paradise Lost documentaries inspired Johnny Depp (pictured at the Toronto International Film Festival press conference) to campaign for the release of three convicted child murderers. Rock stars Eddie Vedder and Henry Rollins performed benefit concerts and produced a CD to raise awareness and funds for them. Peter Jackson, known for directing fantasy blockbusters like Lord of The Rings and King Kong, financed a new investigation. In 1993, three teenage boys were sentenced to death for […]
by Allan Tong on Sep 8, 2012Originally posted April 2011. The big NAB show in Las Vegas opened Monday, and I’ll be filing reports for Filmmaker’s readers at the end of every day through Thursday, when the show floor closes. For those unfamiliar with NAB, it stands for National Association of Broadcasters, a powerful trade association and influential Washington lobby, no bastion of progressive politics. But for filmmakers and indie producers, it also stands for the huge annual April trade show in Vegas, where the latest in cameras, lenses, recorders, lighting, audio, and all manner of production gear are introduced. TV execs, techies, DPs, and crew […]
by David Leitner on Nov 27, 2011In news that developed Thursday night, Damien Echols, Jessie Misskelley Jr. and Jason Baldwin, also known as the “West Memphis 3,” could be freed later today after spending over 18 years in prison for the charge of murdering three 8-year-old boys in West Memphis, Arkansas in 1993, though strong evidence over the years has pointed to their innocence. UPDATE: “West Memphis 3” have been set free. The subjects of Joe Berlinger and Bruce Sinofsky‘s landmark Paradise Lost documentaries, the filmmaker’s latest, Paradise Lost 3: Purgatory, will premiere at this year’s Toronto International Film Festival, and as its synopsis on the […]
by Jason Guerrasio on Aug 19, 2011Hope is easy to sell, but fear is easier. Billing itself as a “climate change solutions” movie, Peter Byck’s Carbon Nation doesn’t want you to panic. If fear of the consequences of climate change has been the primary emotional content associated with the slew of climate-themed docs that have found their way to screens in the wake of An Inconvenient Truth, Carbon Nation dwells more on the possibilities that technological innovation, communitarian initiative and an end to political gridlock could have on our world. Time is short, but in Byck’s telling, the means to stymie the long-term catastrophes associated with […]
by Brandon Harris on Feb 9, 2011