Robert Altman was making a living as an industrial filmmaker in Kansas City, Missouri when an opportunity arose that would change his life — and the history of American movies — forever. It was the mid-1950s and juvenile delinquent movies like The Blackboard Jungle and Rebel Without a Cause were burning up the box office, so the son of a movie theater chain owner approached Altman with idea of producing his own teen film. Altman banged out a script in three or four days, and on a budget of $60,000 shot his first feature, The Delinquents, in two weeks with […]
by Jim Hemphill on Mar 31, 2017One of the pleasures of Annette Insdorf’s new book on the director Philip Kaufman — titled, simply, Philip Kaufman (University of Illinois Press, $22.00) — is how jargon-free it is: while it implicitly subscribes to the auteur theory, which credits the film director as the creative author of a film, it does so through the type of patient close readings that have fallen out of fashion. The first book-length assessment of Kaufman’s oeuvre, which will reach 14 films when Hemingway and Gellhorn premieres on HBO in May, Philip Kaufman is a shrewd and very readable study. It seeks not only […]
by Charles Lyons on Apr 24, 2012