Dutch actor Katja Herbers plays forensic psychologist Kristen Bouchard on the hit series Evil, which just finished its third season at Paramount+. On this episode, she talks about how saying no to the audition actually secured her the role, and hitting it off with “the Kings” (show runners Robert and Michelle King) helped her feel ownership of it. We get into the beautiful weeds about the pitfalls of over-directing and how she often simply ignores direction or translates it into something she can use. She explains why laboring over an emotional through-line is unnecessary, how working with the girls that […]
by Peter Rinaldi on Aug 16, 2022Director, choreographer and dancer Lily Baldwin has appeared in these pages several times over the last decade in interviews about her work across both short film and virtual reality. But throughout this time, one project — alternately creatively compelling and deeply distressing — has been a persistent focus. In a story she details in our interview below, it began as Glass, an autobiographically-inspired thriller about a woman being stalked, that placed in the IFP (now Gotham) Emerging Storytellers program in 2014. It then morphed into a multi-part documentary TV series before finally now hitting download queues as a six-part Audible […]
by Scott Macaulay on Aug 4, 2022Himesh Patel is nominated for an Emmy this year for his incredible performance as Jeevan in Patrick Somerville’s HBO Max mini-series Station Eleven. In this episode, he talks about how that role made him a better actor, which is saying a lot because he had already given us some phenomenal work in films like Tenet, Don’t Look Up, and his first feature film Yesterday. He talks about the attention and care given to him by the big-name directors of those films, and how that helped his work. I ask about his 10 years on the UK television institution EastEnders, and […]
by Peter Rinaldi on Aug 2, 2022Read just a sample of Juliette Binoche’s credits — Mauvais Sang, Three Colors: Blue, Damage, The English Patient, Chocolat, Certified Copy, Clouds of Sils Maria, Let The Sunshine In — and one thing becomes clear: few actors have been as internationally respected for such a sustained period of time. In this episode, she speaks about the importance of acting from the body and learning to use “sensation” as a starting point. She tells a story about feeling lost on the set of John Boorman’s In My Country, and what set her free should be a lesson to all directors. She […]
by Peter Rinaldi on Jul 5, 2022James Scully plays Charlie, love interest to Bowen Yang’s Howie, in the new film Fire Island, a touching, hilarious, and entirely queer take on Pride and Prejudice, written by and co-starring Joel Kim Booster, and directed by Andrew Ahn. Scully talks about the imposter syndrome that infected the cast, how sometimes when material is so relatable it’s actually hard to gauge if you’re hitting it right, why having a queer director actually improves the work, and how Ahn specifically led the way so thoughtfully and effectively. Plus much more! Back To One can be found wherever you get your podcasts, […]
by Peter Rinaldi on Jun 14, 2022Among many appealing qualities as an actor, Rupert Friend certainly has “range.” His two most recent roles are James Whitehouse—elitist, upper-class British politician in David E. Kelley’s Netflix limited series Anatomy Of A Scandal; and The Grand Inquisitor—blowhard Star Wars bad guy in Obi-Wan Kenobi. He’s probably best known for playing Peter Quinn on a few seasons of Homeland, which got him an Emmy nomination. On this episode, he talks about why his preparation process is more “uncovering” than “building,” how energy management has served him well, the gift of being allowed to “fail safely,” and the most important thing […]
by Peter Rinaldi on Jun 7, 2022David Morse is one of the most respected veteran actors working in the business. St. Elsewhere, The Indian Runner, The Crossing Guard, Dancer In The Dark, House, Hack, The Green Mile, to name just a few of his past credits, and now a Tony nomination for his incredibly powerful performance in How I Learned To Drive, which he has reprised with Mary-Louise Parker 25 years after they first did it off-Broadway. I talk to him about the differences in these two incarnations, particularly one important and significant moment he arrives at toward the end of the play. He explains how […]
by Peter Rinaldi on May 31, 2022Mike Leigh is back in New York City for Film At Lincoln Center’s retrospective of his films, which starts Friday May 27th. He’s doing Q&A’s after three of his best—Naked, Secrets and Lies, and Topsy Turvy. Since he was last on the show (Episode 54), a few of his most treasured actors have been on and discussed the joy of working with the legendary director. There have even been some guests who have talked about the pleasure of working with him just in an audition, even though they weren’t selected. I ask him to break down his audition process and […]
by Peter Rinaldi on May 27, 2022Few characters born in this current ‘Golden Age of Television’ rise to the legendary status of Gustavo Fring. Giancarlo Esposito brought the drug kingpin to life on Breaking Bad and now he’s finishing out (or filling in) his arc on the prequel Better Call Saul. On this episode, Esposito talks about the careful way he “whispers” a new character into existence, and why the identification and breaking down of his own resistances is so important. He tells the story of the eureka moment he had reading the words “hiding in plain sight” and how that opened up the character for […]
by Peter Rinaldi on May 24, 2022Anamaria Vartolomei is the French-Romanian star of Audrey Diwan’s film Happening, about a young college student in desperate need of an illegal abortion in 1960s France. The camera follows Vartolomei’s character so closely, both literally and figuratively, that you begin to feel like you are experiencing the movie from inside her. On this episode, Vartolomei talks about why the closeness of the camera actually made her feel protected; how curiosity rather than competition helped her in the audition; how feeling safe leads to fearlessness in action; and the importance of breathing, surprises, and, most importantly, anger. Back To One can […]
by Peter Rinaldi on May 10, 2022