Post-Production
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Peter Byck, Carbon Nation
Hope is easy to sell, but fear is easier. Billing itself as a “climate change solutions” movie, Peter Byck’s Carbon Nation doesn’t want you to panic. If fear of the consequences of climate change has been the primary emotional content associated with the slew of climate-themed docs that have found their way to screens in the wake of An Inconvenient Truth, Carbon Nation dwells more on the possibilities that technological innovation, communitarian initiative and an end to political gridlock could have on our world. Time is short, but in Byck’s telling, the means to stymie the long-term catastrophes associated with […]
by Brandon Harris on Feb 9, 2011 -
Cold Weather and Everything You Wanted to Know About Genre
Honestly, what the hell is up with genre these days? It’s a tricky thing to get a handle on, but we all have an idea of what’s happening in the independent film world: as production financing has dried up in a world where cinema is, simply put, not generating as much revenue as it used to, independent filmmakers who might be more at home making “art” flicks have decided to mix their interests with more familiar genre narratives. Catfish, which generated more intellectual-thought-content-per-minute than any other 2010 release, was sold as (and contained elements of) a Blair Witch-esque thriller, set […]
by Zachary Wigon on Feb 2, 2011 -
The Microbudget Conversation: What Are The Festivals Good For ?
Sorry to all for the week off. A little festival called Sundance was happening, and this column would have been lost in the hustle and bustle. PLUS, I’ve become agoraphobic after editing Orphaned for three weeks straight now. I no longer possess social skills and hygiene. (But the movie looks good so far!) After our second article posted, Blake Eckard contacted me and thought I needed to talk to someone ASAP. It could only be one person, Jon Jost (pictured below). Jon is one of Blake’s favorite film directors and he is a legendary indie filmmaker. It was a no-brainer. […]
by John Yost on Feb 1, 2011 -
“POSITION AMONG THE STARS” DIRECTOR LEONARD RETEL HELMRICH
Position Among the Stars Winning both the IDFA (International Documentary Film Festival Amsterdam) and Sundance for the same film isn’t anything new for director Leonard Retel Helmrich. Both Position Among the Stars (which received a Special Grand Jury Prize at Sundance this past Saturday) and Shape of the Moon — his previous documentary about three generations of the Shamsuddin family of inner city Jakarta — have won top awards at the festivals. These two documentaries, along with 2001’s Eye of the Day, combine as a trilogy to tell a moving story about religion, politics, and economics, all through the lens […]
by James Ponsoldt on Jan 31, 2011 -
VISITING “PANDEMIC” MISSION CONTROL WITH LANCE WEILER
I stopped by Sundance’s New Frontiers building yesterday and visited Pandemic 1.0 with its creator, Lance Weiler. Here’s a short, casual Flip video with Weiler showing me the two rooms of the installation. For more info on this piece, read Weiler’s column in this issue of Filmmaker. And here’s Jamie Stuart’s piece on Weiler shot this week in Park City at our Main Street lounge.
by Scott Macaulay on Jan 28, 2011 -
Pioneer Director David Lowery
To create a feature with a genuine sense of mystery pulsing beneath the filmed veneer is a rare accomplishment, but to achieve that in a short film? Next to impossible. However, Pioneer — David Lowery’s tender, moody short — is an absolute cryptogram. Little more than a father (well-played by musician/actor Will Oldham) telling a tall and violent tale about an absent mother to his young son, Pioneer manages to stay within the confines of a bedroom yet utterly transports the audience to the high altitudes of childhood imagination. Lowery’s facility to direct children was on fine display with his […]
by James Ponsoldt on Jan 28, 2011 -
GREGG ARAKI, “KABOOM”
One of the key figures in the New Queer Cinema and ever youthful at 51 years of age, Gregg Araki is a director who is increasingly hard to pigeonhole. After the critical success of 2004’s Mysterious Skin, the film which confirmed that Joseph Gordon-Levitt was a movie-star and that Mr. Araki could direct delicate drama as well as exploitation and cult cinema, it seemed that the director of such indie LGBT classics as The Living End (1992) and The Doom Generation (1995) was moving on to a new, more conventionally respectable, middle-aged portion of his career. Now Mr. Araki is […]
by Brandon Harris on Jan 28, 2011 -
“HERE” DIRECTOR BRADEN KING
Known for his stunning 1998 documentary, Dutch Harbor: Where the Sea Breaks Its Back, as well as countless music videos for musicians including Bonnie “Prince” Billy, Sonic Youth, and Dirty Three, director Braden King arrives at Sundance in Dramatic Competition with HERE. Set in Armenia — and in many ways starring Armenia — HERE is a love story camouflaged as a road movie, or perhaps it’s the other way around. The atmospheric film follows Gadarine and Will (played by Lubna Azabal and Ben Foster), an Armenian art photographer and an American satellite-mapping engineer, from the exact moment they notice each […]
by James Ponsoldt on Jan 28, 2011 -
13 TAKEAWAYS FROM THE IFP NARRATIVE LAB
The recently concluded IFP Narrative Lab was a dense week of study and mentorship as our participating filmmakers, all with films somewhere between rough and fine cut, were given guidance about picture lock, sound design, scoring and music licensing, festival strategy, distribution deals, and DIY, self and hybrid distribution efforts. Amy Dotson and Rose Vincelli from the IFP did a fantastic job of putting the program together. Susan Stover, Jon Reiss and I were the lab leaders. In addition, an inspiring group of editors, filmmakers, producers and industry vets came in to lend their expertise. At the end of the […]
by Scott Macaulay on Jun 17, 2010
