Rashad Frett arrives at Sundance with his debut feature, Ricky, following work as a combat medic, a stint in business school, and directing an independent TV pilot he called “a Connecticut version of The Wire.” Along the way, he heard the stories of peers who cycled in and out of the criminal justice system system. So, when enrolled at NYU Tisch Graduate Film School, he used those stories as inspiration for his thesis short, Ricky. “We had ex-offenders, police officers, parole officers, judges and family members of the incarcerated all involved and consulting on the script,” Frett told Filmmaker when […]
by Scott Macaulay on Jan 28, 2025In Ricky, Rashad Frett extends his Sundance 2023 short of the same name to feature length to tell the story of a 30-year-old returning home after serving time in prison. The film follows Ricky as he tries to reintegrate into the community that he was taken from, utilize his gifts as a barber to making a living and make up for lost time. Sam Motamedi, who shot the 2023 short, again served as DP. Below, he explains how he tried to replicate a documentary-like feeling and shares a couple of his influences, including documentary footage from the early days of the […]
by Filmmaker Staff on Jan 24, 2025Ricky follows the travails of its title character (Stephan James), who has just been released from prison at age 30, as he tries to reintegrate into his community in Hartford, Conn. The film, directed by Rashad Frett, is an adaptation of Frett’s own short, itself a Sundance 2023 premiere. Ricky also marks Pierre M. Coleman’s first turn as a lead producer after handling the initial short. Below, he recounts the origin of his “little engine that could” and speaks to the importance of good partners. See all responses to our annual Sundance first-time producer interviews here. Filmmaker: How did you connect […]
by Filmmaker Staff on Jan 24, 2025Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? The most significant day for me was when my editor, Daysha Broadway; my co-writer, Lin Que Ayoung; and I gathered at an amazing restaurant in Chinatown to brainstorm and finetune the film’s edit. Over delicious food, laughter and deep conversation, we made key adjustments that truly elevated the project. That moment of collaboration felt […]
by Filmmaker Staff on Jan 24, 2025