The Sundance Institute announces eight filmmakers selected for the fifth annual Momentum Fellowship, a program created to provide financial support and coaching for mid-career artists from underrepresented communities. The year-long fellowship is tailored for artists who have recently achieved a major accomplishment—such as a successful feature film or episodic work—and offers customized guidance for the fellows as they aim to level up in their careers. “Over the years, the fellows selected for Momentum have all experienced success with their recently completed projects. This has often been a critical moment for artists to receive creative and tactical support as they focus […]
by Filmmaker Staff on Mar 2, 2023Trying to make it as a twenty-something in a band is hard enough. But when that band is Slave to Sirens, the Middle East’s first all-female metal group, the stakes and the obstacles can seem off the charts. Which is exactly what makes Moroccan-American director and cinematographer Rita Baghdadi’s Sirens, world-premiering in the World Cinema Documentary Competition at this year’s Sundance, so engrossing. The film focuses on the band’s co-founders and guitarists Lilas and Shery, who over the course of a brisk 78 minutes navigate friendship and sexuality, artistic vision and international fame – all within the explosive confines of […]
by Lauren Wissot on Jan 23, 2022The subject of Sirens, Rita Baghdadi’s third documentary feature, is the all-woman Lebanese thrash band Slave to Sirens, who are captured here against the unrest that has shaken Lebanon in recent years as well as in performances, including one at the Glastonbury Festival. Baghdadi recalls the difficulty of capturing sufficient footage at the festival and how she turned a film about a band into a film about being in your twenties. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? […]
by Filmmaker Staff on Jan 23, 2022The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you finance your films, your production methodology or the way you relate to your audience—did you have to reinvent in order to make and complete the film you are bringing to the festival this year? Over the last two years, I definitely found myself contemplating why I make films and how I make them. When the pandemic hit, it seemed as […]
by Filmmaker Staff on Jan 23, 2022