The 54th edition of the notorious Flaherty Film Seminar (June 21-27) kicked off with some steamy words from president Patti Bruck. “We’re not here to discuss film,” she insinuated; “we’re here to argue about film.” Begun in 1955 when Robert Flaherty’s widow Frances gathered filmmakers, critics, and musicians to discuss the potential of the moving image, the Seminar has evolved into one of the more idiosyncratic and invigorating stops in the film world, with an almost Nietzschean will for conflict. No titles or filmmakers are announced beforehand; all screenings, meals, and discussions are mandatory; filmmaker/audience hierarchies are abandoned in favor […]
by Jason Guerrasio on Jul 16, 2008