Can we permanently delete the term “home stretch” in a festival context? All right then. In the NYFF’s final week, the best fiction in the Main Slate is stronger (arguably) and more obscure (undoubtedly) than just about everything that has come before. Products of exceptional minds creating in different keys, these three gems (Horse Money, Jauja, Life of Riley) do share some elements that could make them off-putting for the passive viewer. All bets are off for anyone looking for the expected visual and aural cues. Each of these directors builds a self-contained universe with its own rules of engagement. […]
by Howard Feinstein on Oct 7, 2014It’s hard to think of a documentary that was more effective in getting viewers to at least think about altering their behavior than Robert Kenner’s Food, Inc. If you walked out and didn’t change your grocery-shopping habits or scan a food label, then you must have fallen asleep during the movie. But Kenner’s follow-up, Merchants of Doubt, would seem to face a challenge in the “call to action” department. Here, Kenner deals with climate change, an urgent issue that requires not simply single actions but massive social and economic change to conquer. Climate change, however, is the film’s broad focus. […]
by Scott Macaulay on Sep 10, 2014