I’m a midcareer filmmaker with a few features that have played at major international film festivals, including Sundance and Cannes, followed by modest distribution. So, you can imagine my shock when my third feature, Rogers Park, was programmed by… almost no festivals. Despite having what I thought was a track record, I found myself in the wonderful position of having made a no-star ensemble film that had no industry champions, no curatorial validation and no traction. After regrouping from a year of festival rejections, I had to make a decision. Should I throw in the towel and post my film […]
by Kyle Henry on Sep 17, 2018It used to be so simple: Release a movie in theaters and, several months later, it would come to your local video store. Nowadays, each and every film’s release pattern and chosen distribution platforms are—or, at least, should be—idiosyncratic, unique, and specifically tailored. “The first thing you have to ask yourself,” distribution consultant Michael Tuckman says, “is who is your audience, and work backwards from there to figure out what windowing you’re going to do.” If the target audience is a young demographic who spend most of their time on devices, then, according to The Orchard’s Paul Davidson, “a SVOD […]
by Anthony Kaufman on Jun 11, 2018A slightly belated posting here to recognize 25 New Face filmmaker Kyle Henry’s latest feature, the Chicago-set relationship drama Rogers Park, which is extended at Cinema Village through this coming Thursday, May 10. After theatrical openings in New York and L.A., the film has cemented a rare 100% rating on Rotten Tomatoes, with Glenn Kenny writing in the New York Times, “The superb actors, given opportunities to go for broke, make each one count, and make the movie worth watching.” Henry has been in the independent trenches for nearly two decades, with features including the superb psychological drama Room and […]
by Scott Macaulay on May 5, 2018