Keith Richards swept into Toronto late this week to inject fresh excitement into TIFF just as the parties were waning, filmgoers were yawning and industry heavvies were flying back to the States. Sporting a snakeskin jacket, a Jamaican-coloured headband and impenetrable mirrored glasses, the 71-year-old rhythm guitarist for The Rolling Stones was here to promote Morgan Neville’s documentary, Keith Richards: Under The Influence. It enjoyed its world premiere here last night before playing today on Netflix. The consensus in Toronto holds that Under The Influence is really a commercial for Richards’ latest album, Crosseyed Heart, also released today. No surprise that […]
by Allan Tong on Sep 19, 2015David Chase loves the Stones. Anyone who watched his hit series, The Sopranos, and heard the soundtrack will know. Nor will they be be surprised that his feature film debut, Not Fade Away, is about a bunch of suburban kids from New Jersey who pick up guitars and grow their hair after they see The Rolling Stones on TV in 1964. “It’s not autobiographical,” Chase insisted at a recent preview in Toronto. “The events didn’t play out as they happened in this movie.” In fact, both Chase and his protagonist Douglas (John Magaro) came of age in suburban New Jersey […]
by Allan Tong on Dec 21, 2012In 1965, a rough-and-tumble band of rock ‘n’ roll upstarts called The Rolling Stones were just beginning to build their legend, when wily manager Andrew Loog Oldham engaged English documentarian Peter Whitehead to follow the band around for a couple of days during a short stint in Ireland. The result was Charlie Is My Darling, a cinéma vérité snapshot of an era when the cultural revolution was only just beginning to crack the façade of the Old World. We see the young Mick Jagger, Keith Richards, Brian Jones, Bill Wyman, and Charlie Watts (who gives the film its title) brainstorming […]
by Jim Allen on Nov 23, 2012Artist Adam Pendleton has created a new large-scale video installation at New York’s The Kitchen inspired by Jean-Luc Godard’s Rolling Stones’ deconstruction, Sympathy for the Devil. It features the band Deerhoof and runs through December 23. From the catalog copy: This solo exhibition presents the U.S. premiere of Adam Pendleton’s new large scale video installation. Pendleton’s BAND is a form and content refashioning of Jean-Luc Godard’s Sympathy for the Devil, which stands in open contrast to the earlier film. Modeling Godard’s belief that radical formal complexity can undermine the bourgeois logic implicit to narrative filmmaking, BAND tracks the indie-rock band […]
by Scott Macaulay on Nov 27, 2010A promotional short for Bleu de Chanel that seems to be comprised of the shards of more than one complete movie. Score by the Stones. Hat tip Movie City News.
by Scott Macaulay on Aug 26, 2010