Sally Potter spoke to a sold-out, mostly female audience on a springlike afternoon in Toronto. She was the latest world-renowned director to sit in the interview at the TIFF Bell Lightbox, and she discussed with journalist Johanna Schneller her experiences and views on filmmaking while clips of her films burst on the screen including her latest, Ginger & Rosa. The session started with a moment from her little-seen 1979 short, Thriller. It’s an experimental short consisting of grainy black-and-white photos married to the opera La Boheme and Bernard Hermann’s theme from Psycho. “The decisions I made were about trying to bring […]
by Allan Tong on Mar 12, 2013Sally Potter’s theoretical bent has long placed her in a strange position, in which difficult films like Yes consistently gain mainstream distribution while leaving audiences demanding refunds. Continuing this duality, Ginger & Rosa—an emotionally charged tale of two girls coming of age in the shadow of the Cuban Missile Crisis—finds Potter treating overtly political material with a level of accessibility in plot and performance that’s new to her work. Rosa (Alice Englert) and Ginger (Elle Fanning) are lifelong friends born on the same day. Rosa is the more carefree and liberated of the two, while the sensitive Ginger takes pleasure […]
by Lori Donnelly on Sep 12, 2012Leading up to our 18th birthday, I’ll be revisiting on the blog one issue of Filmmaker a day. Today’s is Summer, 1993. Summer, 1993 is another issue whose content didn’t make it over to WordPress. Our cover story was Alison Maclean’s Crush. Sande Zeig interviewed Sally Potter about her Orlando, which was just reissued by Sony Pictures Classics. John Woo, John Greyson, and Ross McElwee were all in the book along with an article tracking the development status of several beloved cult novels’ film adaptations. We also ran a great how-to by Strand Releasing’s Marcus Hu on guerilla marketing your […]
by Scott Macaulay on Aug 5, 2010