Sarah-Violet Bliss
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Mr. Robot, Man in the High Castle and More are Dissected at the Inaugural Split Screens Festival
The inaugural year of Split Screens Festival, celebrating the art and craft of television, kicked off Friday night, June 2, at New York’s IFC Center, and it runs through June 8. The festival’s programming team is headed by Matt Zoller Seitz, Editor-in-Chief of RogerEbert.com, TV critic for New York Magazine and Vulture.com and author of several books on film and television. I attended the first full day of screenings and panels on Saturday, and it was an incredibly varied line-up. Following “The Evolution of TV Criticism,” which I’ll cover in a separate post, there was a showcase of the behind-the-scenes […]
by Audrey Ewell on Jun 5, 2017 -
The Women of SXSW: Fort Tilden Writer/Director/Editor Sarah-Violet Bliss
Following “The Women of Sundance” article in our print and online additions, Danielle Lurie continues her coverage of female filmmakers with a series of interviews highlighting women directors at SXSW. In this interview, she talks with Sarah-Violet Bliss, who co-wrote and co-directed the SXSW Grand Jury Prize-winning narrative feature Fort Tilden with Charles Rogers. Filmmaker: Why this movie? Why did you decide to do it? Bliss: I was excited to tell a story in response to the popular topic of discussion these days frequently labeled “millennial malaise.” I have many thoughts on this matter in hand that are enormously fun […]
by Danielle Lurie on Mar 12, 2014
