Filmmaker Brent Renaud, who, with his brother Craig, made films in conflict zones around the world, was killed while filming in Ukraine today. He was also co-founder of the Arkansas Motion Picture Institute and executive and artistic director of the Little Rock Film Festival. Here — originally published December 17, 2013 — is our profile of the two brothers and their extraordinary filmmaking practice. R.I.P. Brent Renaud. — Editor From NYC drug addicts to Mexican drug cartels, from today’s soldiers to yesterday’s civil rights pioneers, from Chicago gang members to Afghan warlords, Craig and Brent Renaud have made a career […]
by Lauren Wissot on Mar 13, 2022Reporters Instructed in Saving Colleagues is surely one of the most fitting tributes to a fallen comrade ever dreamed up. Founded by Sebastian Junger in the wake of the combat zone death of his Restrepo co-director Tim Hetherington (I interviewed both back in 2010) RISC, based on a Wilderness Medical Associates course adapted for combat, aims to provide freelancers in all media with the kinds of lifesaving equipment and techniques that may have prevented Hetherington’s shrapnel wounds in Libya from killing him. Indeed, when I first heard about RISC its mission seemed so obviously crucial – to give combat journos […]
by Lauren Wissot on Feb 19, 2014One great journalist salutes another in Which Way is the Front Line From Here? The Life and Time of Tim Hetherington, a moving combat documentary premiering Thursday, April 18 on HBO. The film is celebrated author-turned-director Sebastian Junger’s tribute to Hetherington, the British-American photojournalist who co-helmed the Oscar-nominated Restrepo with Junger, and tragically lost his life in 2011 while covering Libya’s civil war. Like Restrepo, which ditched political agendas to get at the human core of a platoon of soldiers stationed in Afghanistan, Which Way is the Front Line From Here? pins its focus on the heart and unquenchable drive […]
by R. Kurt Osenlund on Apr 16, 2013[PREMIERE SCREENING: Sunday, Jan. 20, 2:30pm — Prospector Square Theatre, Park City] My film, Which Way Is The Front Line From Here?, is about the death, in combat, of my good friend and colleague Tim Hetherington. In a sense the film would not exist without the tragedy of his death, but I don’t think that’s what you are asking. I pre-sold my film rather than financing it myself — as Tim and I were forced to do with Restrepo — and I was able to hire amazing people to work with. But making a film about Tim’s death took a […]
by Filmmaker Staff on Jan 19, 2013Originally posted online on June 23, 2010. Restrepo is nominated for Best Documentary. Most documentary filmmakers attempt to see the world through the lens of the subjects they’re shooting, but few put their lives on the line to do so. That perhaps is what most separates first-time directors Sebastian Junger and Tim Hetherington from a few of their colleagues who didn’t take home the Grand Jury Prize for U.S. Documentary at this year’s Sundance Film Festival. Their award-winning Restrepo is the result of a near yearlong embedment with the Second Platoon, Battle Company in eastern Afghanistan’s deadly Korengal Valley, […]
by Lauren Wissot on Feb 21, 2011The 36th Seattle International Film Festival end this weekend with audiences flocking to the 25 day fest as nearly 20% increase from last year. From May 20-June 13, the festival had shown 408 films. The awards ranged from the audience-selected Golden Space Needle Awards; the five juried Competition Awards, as well as the FIPRESCI Award for Best American Film. Borys Lankosz‘s The Reverse won the narrative Grand Jury Prizee , while Marwencol, directed by Jeff Malmberg, took home the doc Grand Jury Prize. The winners of the Jury and Audience Awards are below. SIFF 2010 Best New Director Grand Jury […]
by Filmmaker Staff on Jun 14, 2010[PREMIERE SCREENING: Thursday, Jan. 21, 9:30 pm — Eccles Theatre, Park City] Our goal in making Restrepo, a documentary about soldiers at a remote outpost in Afghanistan, was to give viewers the experience of a 90-minute deployment. We had no difficult decisions, per se, but we did have important ones. First and foremost, we decided that our cameras would never leave the soldiers. We would not interview generals or diplomats; we would not return to the United States to talk to the families. We would limit ourselves to what the soldiers had access to and nothing more. Finally our film […]
by Jason Guerrasio on Jan 19, 2010