Few directors out of Japan are as controversial as Takashi Miike, a man who has been surprising audiences for years with anything from stomach-wrenching horror films to slick yakuza films to happy-go-lucky children’s films, with no less than 70 directing credits to his name. This year at Cannes he surprised fans perhaps more than ever before by premiering his most mainstream film yet, a smart thriller that seems to be begging for a Hollywood remake. Shield of Straw follows a team of security police who must transport a psychopathic killer across Japan to Tokyo for trial. The criminal in question […]
by Ariston Anderson on Jun 3, 2013Hirakazu Kore-eda’s Like Father, Like Son engages with questions of family and identity, exploring what it means to be a father, using a plot device in which children from two different families are switched at birth, a detail that is only discovered when the sons are about to enroll in school. The film’s primary point of identification is Ryota, a young father and ambitious businessman who strives to provide for his family and also to ensure that his son will have every opportunity for success. This desire for success is conveyed from the very opening shot, in which Ryota’s son, […]
by Chuck Tryon on May 21, 2013