Talking to The Guardian’s Xan Brooks in 2014, Kelly Reichardt reflected on the students she’s taught in her teaching position as an artist in residence at Bard. “The kids I know, I love them, but they’re not mad the way we used to be,” she noted. “They seem so unafraid and so un-angry. It makes them very nice people. It doesn’t make for great art. I ask them all the time: ‘Aren’t you mad at anything?’ They look at me like I’m off my rocker.” That sense of simmering discontent percolates through Michelle Williams’s performance as Lizzy, a ceramics sculptor […]
by Filmmaker Staff on Mar 16, 2023For two weeks I lived within a Cannes-imposed schedule, with every day structured by the bookending options of a new Directors Fortnight title each morning and a new Competition film at night. More importantly, there was the 7 am roll call, when tickets were unlocked online for screenings four days out. This became a relatively smooth process once the functionally unusable press URL initially given for this purpose was changed, but those tickets still went fast. Every day (before the last four days of the festival, when this unloved ritual ceased), my roommates and I would wake up at 6:59, log […]
by Vadim Rizov on Jun 1, 2022