For more than 40 years, there was a certainty to the film festival calendar—a comfort in knowing that, since 1978, when the Berlin International Film Festival moved to February, followed by Cannes in May, and Venice in the fall, there were three distinct seasons for producers, sales agents and buyers to meet, see films and make deals. But in 2021, things are different, of course. While the inflection points of the business cycle—winter, summer, fall—remain somewhat in place, the ongoing pandemic has scrambled the dates, formats and plans for hundreds of film events, upending launch strategies and causing potential logjams […]
by Anthony Kaufman on Apr 8, 2021In the middle of the global pandemic and one of the worst economic downturns in a century, Maven Pictures’ Celine Rattray, a producer of Driveways, The Kindergarten Teacher and American Honey, had several projects interrupted. But in early April, a timely new project—in which the crew and cast could work remotely from their own homes—was suddenly greenlit. She spoke to a private equity investor who she believed would be a good fit for the film, budgeted at six figures, and the financier agreed to fully fund it during their phone call. “The deal closed in a couple days,” says Rattray. […]
by Anthony Kaufman on Jul 7, 2020Producer Shrihari Sathe makes his directorial debut with 1000 Rupee Note, premiering this weekend in New York at the Village East. Sathe, whose credits include Dukhtar, Buffalo Juggalos, It Felt Like Love (and, full disclosure, A Woman a Part, in partnership with me), developed this story based on a short by Shrikant Bojewar, the resident editor of Maharashtra Times, one of India’s major newspapers. Here’s a description: Budhi, a widow, lives in a small village in Maharashtra, India — and her only son has committed suicide. Though poor and left alone in the world, she leads a cheerful life and […]
by Scott Macaulay on Sep 22, 2016