Martin Scorsese’s World Cinema Project has been discovering and restoring vital international films since 2007, and in its 13 years of existence has preserved 42 movies from 25 countries. Scorsese’s mission is not simply rescuing and protecting these movies, many of which would likely vanish into obscurity and physical deterioration without his Film Foundation’s assistance, but making sure they are widely available to be enjoyed by world audiences. Scorsese’s latest effort in this regard is the indispensable new Criterion boxed set Martin Scorsese’s World Cinema Project 3, which, like the two collections that preceded it, gathers six seminal works from […]
by Jim Hemphill on Sep 25, 2020The IFP Gotham Awards celebrate their 25th anniversary this November with a ceremony at Cipriani Wall Street. Along with awards going to the top independent films of the year, the Gothams will present Tribute Awards to Robert Redford, Helen Mirren, Todd Haynes and Steve Golin. Here, Peter Bowen culls the archives of IFP, Filmmaker’s publisher and parent organization, to find 25 memorable moments from the Gotham’s history of celebrating New York and independent filmmaking. 1991 The Cost of Film In 1991, IFP executive director Catherine Tait stood before a seated crowd of some 400 people at Roseland to explain what […]
by Peter Bowen on Oct 28, 2015A new, occasional column here at Filmmaker, “The Shooting Schedule” looks at film production through the prism of a single shoot day. I peruse a film’s call sheet and production report and ask the director questions solely based on what I see there. To launch the column, I couldn’t think of anyone better to talk to than my friend James Ponsoldt, whose third feature, The Spectacular Now, opens today. A contributor to Filmmaker — and a director whose first feature, Off the Black, Robin O’Hara and I produced — Ponsoldt has made with The Spectacular Now an indelible teen romance […]
by Scott Macaulay on Aug 2, 2013Over at The Browser, Black Swan director Darren Aronofsky names and discusses his top five books on films and filmmaking. There’s an obvious one (Sidney Lumet’s Making Movies), an unexpected autobiography (Kirk Douglas’s The Ragman’s Son), and then the following screenplay tome. From Aronofsky’s piece: The Writer’s Journey, Christopher Vogler. It’s the Bible for screenwriters. I think it’s the best book on how to write a screenplay ever written. It helped me get through so many roadblocks as a writer. Vogler adapted the work of Joseph Campbell, an American academic, to the art of screenwriting. Vogler’s approach to screenwriting was […]
by Scott Macaulay on Feb 11, 2011In Jamie Stuart’s third installment of his shorts series from the New York Film Festival Todd Haynes explains his filmmaking methods and the motivations behind his latest film, I’m Not There. Approximate running time: 4:33. Download the short here by right clicking and choosing Save Target or Save Link. (58M) Please visit Jamie’s site at www.mutinycompany.com.
by Jason Guerrasio on Oct 10, 2007TOM WILKINSON AND GEORGE CLOONEY IN TONY GILROY’S MICHAEL CLAYTON. COURTESY WARNER BROS. PICTURES. As a Hollywood screenwriter, Tony Gilroy has brought an insistent energy and intelligence to the projects he has worked on, so it was a totally logical step that he should progress to becoming a director. New York native Gilroy grew up with writing and the movies in his veins, as he is the son of Frank D. Gilroy, the Pulitzer prize-winning writer and filmmaker, possibly best known for writing The Only Game in Town (1970), starring Elizabeth Taylor and Warren Beatty. Gilroy Jr. debuted with the […]
by Nick Dawson on Oct 5, 2007