Latest News
Andrew Gillis in Werewolf (courtesy of La Distributrice
de Films)
Why I Am Hopeful: Programmer Eric Allen Hatch on the Future of Arthouse Programming
DP Larkin Seiple Breaks Down Every Shot from Childish Gambino’s “This Is America “
Adam Driver and John David Washington in BlacKkKlansman
Cannes Dispatch #5: BlacKkKlansman, The House That Jack Built
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Rocco and His Brothers, Dietrich and Von Sternberg, and Dragon Inn: Jim Hemphill’s Weekend Viewing Recommendations
Jul 13, 2018
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“The Main Way to Force Strategic Failures and Fix Broken Elections is to Pay Attention”: Kimberly Reed on Dark Money
Jul 13, 2018
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“You Have to Forge Your Own Path”: Rick Linklater Headlines an Austin Film Society Tribute in Karlovy Vary
Jul 12, 2018
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History Battles with “Fake News” at the 2018 Karlovy Vary Film Festival
Jul 11, 2018
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“Don’t Sell Out, Don’t Give Your Art to a Corporation”: Secrets of DIY Doc Distribution at DOC NYC PRO
Jul 11, 2018
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Back to One: Stage Veteran John Christopher Jones Talks Fighting for the Part, Loving the Text, and not Letting Parkinson’s Have the Last Word
Jul 10, 2018
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Curator La Frances Hui and Martial Artist Jeanne Lau on Pioneering Hong Kong Director Lau Kar-leung
Jul 10, 2018
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“I Think the World Needs More Truly Queer Films”: Director Drew Lint on his Gay Identity-Swap Thriller, M/M
Jul 10, 2018
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Nine Cameras and 101 Shooting Days: Director Dante Lam and Producer Candy Leung on Operation Red Sea, Stunt Choreography and Working in English
Jul 9, 2018
