Shane Carruth’s score for Upstream Color is one of the film’s standout elements, working hypnotically with the equally strong sound design to anchor the picture’s tumbling cascade of images. In advance of the film’s early April release, Carruth has released the entire score on Soundcloud and made it available for purchase on iTunes. Check it out below, and read my cover story interview with Carruth in the new Filmmaker, which you can subscribe to digitally here on the site or get for the iPad on the App Store.
by Scott Macaulay on Feb 27, 2013These past two weeks I’ve been in Rochester, NY working on the Orphaned soundtrack with all the usual suspects and collaborators. (Let me know if there are issues with the feed. This is an ongoing daily live feed where I will eventually be distributing free content…it is part of my MFA thesis.) I had been trying to write a response to the latest “explosion” of indie film acquisitions, the new world models of indie film financing, and the influx of nobody filmmakers. BUT I found that others with something to say, have already said it best, so I scrapped it. […]
by John Yost on Feb 23, 2011As I sit here working my CD changer has just slid over to the Mysterious Skin soundtrack, which has not left the platter since I received a promotional copy about a week ago. From its first seesawing notes, Robin Guthrie and Harold Budd’s distinctive style, echoing their classic The Moon and the Melodies, evokes the 4AD and Budd ambient releases that provided a dreamy backdrop to many of our adolescences years ago. Writes Skin director Gregg Araki, “I have been a huge fan of Robin Guthrie and Harold Budd since the glory days of the 80s when 4AD, the Cocteau […]
by Scott Macaulay on May 19, 2005