Spring 2016
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Upstream and Downstream: 5 Observations about Independent Film Distribution at the 2016 Midpoint
The following article appears in our Spring, 2016 print edition and is appearing from behind our paywall today for the first time. Will 2016 be remembered as the year that Amazon and Netflix gobbled up the indie film market? Probably. While the two online behemoths could always change their strategies in the next several months, the ramifications of their first quarter dominance stretched far and wide, sending shockwaves through the business. But there were other changes afoot, as well. Here are five industry trends that continue to linger long after Park City. 1. The Enduring Impact of Amazon and Netflix Okay, Amazon […]
by Anthony Kaufman on Jun 16, 2016 -
Editor’s Letter
Many years ago I was invited to be the co-editor of The Off-Hollywood Report, the precursor magazine to Filmmaker, by its new editor, James Schamus. To start me off, James handed me a long-form assignment. He told me about several UCLA film school students who were skipping their thesis shorts and going straight ahead to making no-budget features while in school. I talked to a number of them, including Caveh Zahedi, whose first feature (directed with Greg Watkins), was just one of these films — A Little Stiff — and that feature appeared in our first issue. So, I’m finding […]
by Scott Macaulay on Apr 21, 2016 -
Weather Advisory: How Climate Change is Changing Location-Based Film Shooting
Throughout the history of cinema, from It’s a Wonderful Life and Doctor Zhivago to Fargo and The Ice Storm, filmmakers have relied on snow to create authentic settings and magical worlds. But in the age of climate change, capturing snow on film has become a serious challenge for filmmakers no longer able to count on the real thing, as was the case with last year’s The Hateful Eight and The Revenant. Of course, filmmakers like Quentin Tarantino and Alejandro Iñárritu have the financial resources to enable them to wait for snowfall, generate artificial snow, create CGI snow, or any combination […]
by Paula Bernstein on Apr 21, 2016 -
When the Film Festival Comes to Town
Regional film festivals all start to feel the same after a while. There’s at least one feature dramatizing the life of a white guy in Brooklyn. The organizers tell you about a farm-to-table restaurant down the street from the movie theater with craft beer you just have to try. When you ask the volunteer driving you around if they grew up in town, they answer, “sort of,” and give the name of some nearby suburb. And usually there’s a VIP party in an antique store or a mansion owned by the town’s historical society where you meet white-haired locals wearing […]
by Whitney Mallett on Apr 21, 2016 -
Parting Shot: Thomas Bidegain
In the ’90s, French screenwriter and now director Thomas Bidegain was a familiar face in the L.A. and New York film communities. He worked in distribution in L.A. for Connoisseur Films, produced independent films out of New York, and worked in Paris for distributor MK2 and production company Why Not during the years when both were eagerly scouting the latest American independent auteurs. But after writing a series of short films, Bidegain made his biggest career shift yet, moving into screenwriting as he wrote, with Jacques Audiard, the tough prison drama A Prophet. Since then he’s co-written all of Audiard’s […]
by Scott Macaulay on Apr 21, 2016 -
How a DCP Gets Made
“I was once Inside Llewyn Davis. Now I am Mad Max: Fury Road.” I came up with that Instagram caption while working a festival in suburban New Jersey last spring. Toward the end of the festival, UPS made a delivery of a couple of battered Deluxe/Technicolor cases that had seen better days. The label on the box read Tina’s Heroes, which was the secret title that Warner Brothers shipped Mad Max to theaters as. I chuckled at the reference to the hit song from Beyond Thunderdome, and then I looked at all of the other labels. There was a large piece of […]
by Sergio Andrés Lobo-Navia on Apr 21, 2016 -
Virtual Crime Scene
Since the 2012 Sundance premiere of Hunger in Los Angeles — a virtual reality piece derived from an actual incident in which a man had a diabetic seizure while waiting in line at a food bank — Nonny de la Peña has become one of the most celebrated artists in the VR world of immersive journalism. With One Dark Night, the “godmother of virtual reality” (as Endgadget dubbed her) has set her sights on another in-the-blink-of-an-eye tragedy — the killing of Trayvon Martin while the unarmed African-American teen was visiting his father’s fiancée’s condo complex in Sanford, Florida. Through 911 […]
by Lauren Wissot on Apr 21, 2016 -
Into the Cut: Is Terrence Malick’s Knight of Cups the Perfect Movie for our Instagram Era?
We are approaching the 50th anniversary of the publication of Marshall McLuhan’s The Medium Is the Massage (was it a printing error, or a pun?), the book that put the phrase on the map, and whose ideas McLuhan had first advanced in his 1964 book Understanding Media. There he argued that “the personal and social consequences of any medium — that is, of any extension of ourselves — result from the new scale that is introduced into our affairs by each extension of ourselves, or by any new technology.” And, later: “Nobody is interested in TV until there are TV […]
by Nicholas Rombes on Apr 21, 2016 -
Danger Man: Josh Kriegman and Elyse Steinberg on Weiner
From where we currently sit in the middle of the Great Reality Show Presidential Primary Race of 2016, it seems like a point so obvious as to be nearly mundane: Politics can be the greatest show on earth. And, since the birth of the technology, that show has played out in front of the camera. Picking apart the symbiotic relationship between the media and politicians is an old conversation, merely updated with an ever-evolving set of tools: From Andrew Jackson, who controlled at least one newspaper and also blamed the press for ruining his wife’s good name, to Gary Hart, […]
by Sierra Pettengill on Apr 21, 2016 -
Digital Motion Picture Cameras in 2016: New Horizons
In this, my sixth annual camera round-up for Filmmaker, I’ll explore the latest developments and trends associated with cameras — as I have each year — which taken together continue to define new directions in digital cinema. I’ll highlight cameras that exemplify these trends. Those seeking an end-in-sight to a decade’s worth of profound change in camera technology might want to stop reading here. In my 2015 camera round-up, I touched on issues of design including modularity, new materials, a return to ergonomics; the birth of camera apps; wirelessness and the dawn of camera IP connectivity; the mirrorless revolution with […]
by David Leitner on Apr 21, 2016
