How would you transpose 14 sequential artworks on canvas that hail back to the 15th century to contemporary technology and artistic sensibilities? The closest approximation might be a group of photographs, or a film comprised only of a series of fixed shots. Stringing together the individual tableaux would create a slightly disjointed narrative disregarding conventions that have been in effect for sequences for over a century. Even though each shot could stand on its own, there is a flow to the whole. Continuity is implicit, not laid out neatly with eye-line matches, shot-reverse shot set-ups, and cutting from establishing shots […]
by Howard Feinstein on Jul 9, 2015In Abu Dhabi, it’s easy to let the smoke cozy up to your eyes. The festival, now in its 8th year, unfolds in one of the city’s most dazzling corners, with the mammoth, labyrinthine, five star Emirates Palace as its proverbial hub. Gold dripping from its vending machines and balconies alike, the place is sheer, 11 billion Dirham, stadium sized spectacle. As a festival guest, you are chauffeured from the seaside St. Regis tower to screening venues in a designated Mercedes, which, barring the unwanted sexual advances that come with being a long-haired, white American female, can make you feel […]
by Sarah Salovaara on Nov 4, 2014