In April, as we began to put together the Summer, 2020 issue of Filmmaker, we asked directors, cinematographers, editors and other film workers to send us their thoughts on the quarantine and their own creative lives. The responses printed here were collected from April through mid-June — personal statements that speak variously to individual filmmaking practices, films halted mid-production, politics, art and life. Read all the responses here. — Editor I’m mainly a pornographer. Though COVID-19 is not a sexually transmittable infection, it can be sexually transmitted. So, I’m thinking a lot about risk. How much risk is involved with even […]
by Filmmaker Staff on Jul 8, 2020Taking place on Friday, February 28th in Amsterdam (or via a live stream near you), “Blue Artichoke Films Presents: Adventures In Intimacy” will be, according to the event’s press release, “a celebration of sex-positive, p*rn-positive, queer-friendly culture as explored by p*rn performers, scientists, and sex educators in their own work.” Organized by the feminist force behind Blue Artichoke Films (which will simultaneously celebrate its platform launch) Jennifer Lyon Bell, the evening’s quartet of speakers, including the host herself, are an international array of notable thinkers on the subject of erotica in cinema. The Netherlands Ellen Laan, a sexologist and “pleasure […]
by Lauren Wissot on Feb 26, 2020Dan Ouellette has had a long career in the New York independent film community, starting with his work as a production designer for Hal Hartley in 1990 with Trust and then, in 1992, with Simple Men. He’s also an accomplished visual artist (examples of which can be seen at his Neurotica Divine site) and has directed stylish music videos for the bands Android Lust and The Birthday Massacre. Dan is also, full disclosure, an old friend who I’ve also worked with professionally many times. (Films he’s production designed that Robin O’Hara and I produced include What Happened Was…, Saving Face, […]
by Scott Macaulay on Oct 10, 2012One way to break into directing has always been to find a young, unsigned band and offer to do a music video. A new way: make a trailer for a book. These days, there are more and more trailers for books, and many of them take the form of short films. All you need is one hot independent film actor (Paul Dano) and one hip crossover porn star (Stoya). Case in point: the mumblecore-meets-porno stylings for Adam Wilson’s debut novel Flatscreen, forthcoming from Harper Perennial. Wilson is the Associate Editor of the New York Egoist, a blogger for BlackBook Magazine, […]
by Scott Macaulay on Feb 10, 2012