Brent Stewart When you live next to Harmony Korine some unconventional ideas can creep into your head. So when Brent Stewart was thinking about making a chamber-piece drama on 35mm and shooting the whole thing with little to no camera movement he went to his famous filmmaking neighbor for some advice. “I knew it would be a challenge to pull off because even Harmony said to me, ‘Man, that’s risky.’” But, The Colonel’s Bride, Stewart’s debut feature, is an intimate look at loneliness, old age and death with striking photography, a haunting score and a stirring lead performance that shouldn’t […]
by Filmmaker Staff on Jul 20, 2010Welcome to the 2010 edition of Filmmaker‘s annual survey of new independent film talent. Victoria Mahoney Writer-director Victoria Mahoney began her artistic career as an actress in theater and then film. “Shelly Winters was my teacher,” Mahoney says. “If you touched your hair too many times in her class, she’d come over and cut off your bangs. She taught me the gift of stillness.” After working off-off Broadway, Mahoney went to L.A., did a number of pilots, a few European films, and a season of Seinfeld (she played Gladys Mayo, owner of the clothing store Putumayo). But then there […]
by Filmmaker Staff on Jul 20, 2010Made piecemeal over four years, Sultan Sharrief’s Bilal’s Stand is a brazenly autobiographical, starless, penny-pinching production from Detroit about one black Muslim teen’s decision to go to the University of Michigan despite the naysayers in his family as well as in the diverse, suburban high school he treks to instead of the more toxic Detroit public high school nearby. Rough around the edges, it’s told with enough freewheeling inventiveness and first-person verve that it transcends its obvious financial limitations and offers a glimpse of utterly authentic working-class black life in the industrial Midwest. In the world of cinema, studio or […]
by Brandon Harris on Jul 17, 2010[PREMIERE SCREENING: Monday, Jan. 25, 9:00 pm — Yarrow Hotel Theatre, Park City] The hardest decision I had to make while shooting my film Bilal’s Stand was to do reshoots in a different format. The film was originally shot on 16mm film. I love the process of film from loading the camera to seeing dailies for the first time. I love the stubborn, sometimes unforgiving nature of the medium and the care required to get the beauty you want. I often joke and say that film and I have a “Ross and Rachel” type relationship. You know you have strong […]
by Jason Guerrasio on Jan 25, 2010