Sundance Film Festival

“BOY INTERRUPTED” director, Dana Perry

[PREMIERE SCREENING: Friday, Jan. 16, 3:00 pm — Temple Theatre, Park City] The story of my film, Boy Interrupted, was not affected much by recently changing digital technology. If anything, the film is a throwback to conventional documentary filmmaking; straightforward chronological storytelling – no tricks. Authenticity was our guide. The goal was to tell the story of my son Evan’s bipolar illness and suicide in as factual a manner as possible, with home movies and first-hand interviews bearing witness to our experience as a family. I love the self-contained and mostly humorous videos I see on YouTube and Facebook and […]
by Jason Guerrasio on Jan 8, 2009
“IT MIGHT GET LOUD” director, David Guggenheim

[PREMIERE SCREENING: Friday, Jan. 16, 9:00 am — Temple Theatre, Park City] The hardest thing about making documentaries is finding a story inside your material — it’s just so much harder than scripted material. And so what you find are a lot of documentaries that are written in advance; that is to say that the filmmaker knew what he or she wanted to say before beginning shooting. So you feel a kind of steering going on, and therefore a falseness. The other extreme is that you see documentaries that have no story at all. The filmmaker saw something interesting, they […]
by Jason Guerrasio on Jan 8, 2009
“JOHNNY MAD DOG” writer-director, Jean-Stéphane Sauvaire

[PREMIERE SCREENING: Friday, Jan. 16, 8:30 am — Prospector Square Theatre, Park City] Johnny Mad Dog is based on a novel by Emmanuel Dongala. At first, I wrote a faithful adaptation of the book following the same narrative construction, which was centered on two main characters: Johnny, a 15-year-old child soldier, and Laokolé, a 13-year-old girl who runs away with her family. They are in the same situation in the last days of a civil war in Africa. The same unit of time, place and space. Two roads which cross paths, two different points of view, two destinies. Once this […]
by Jason Guerrasio on Jan 8, 2009
“MARY AND MAX” writer-director-designer, Adam Elliot

[PREMIERE SCREENING: Thursday, Jan. 15, 6:00 & 9:30 pm — Eccles Theatre, Park City] My producer and I make clay-animated biographies (or “clayographies” as I like to call them). As with all my films, my latest stop-motion animation, Mary and Max, has a simple plot and the structure is nothing too elaborate or terribly clever. I used to shudder at the thought of calling them formulaic but in many ways they are. My aim as a writer-director is to create a rich and engaging story and then tell it well. I do not obsess over plot and structure and I […]
by Jason Guerrasio on Jan 8, 2009
“FOR THE BIBLE TELLS ME SO”

With more eye-catching docs coming out of Sundance in 2007 (Manda Bala (Send A Bullet), Crazy Love, My Kid Could Paint That, No End In Sight, War Dance, Zoo, ect.), Daniel Karslake‘s For The Bible Tells Me So was lost in the flurry, but this interesting look at how decades of religious anti-gay bias is based almost solely upon the misinterpretation of the Bible, the film should certainly be in the conversation as one of the best docs that came out of Sundance ’07. Hailed at festivals around the country and getting an impressive release through First Run Features, this […]
by Jason Guerrasio on Feb 18, 2008
Sundance, A Glance From the Inside

Last spring we took an exclusive look inside the Sundance Directors and Screenwriters Labs as filmmaker Braden King posted weekly stories about his experience with his project, Here, co-written by himself and Dani Valent. Now, he’s graciously given us an insight into what he took away from the Institute, including attending this year’s Festival, where he was involved in the New Frontier’s Multimedia Performance Events with The Story Is Still Asleep and Here was selected as the U.S. recipient of the 2008 Sundance / NHK International Filmmakers Award. “I haven’t fought much with the past, but I’ve fought plenty with […]
by Jason Guerrasio on Feb 8, 2008
CUT SHORT

We’ve once again asked Jamie Stuart to cover the Sundance Film Festival with his unique brand of filmmaking and create a short that encompasses the people he meets, his creative eye and basically whatever pops up in his head. This year’s film includes George A. Romero, Ellen Kuras, Stacy Peralta and strange text messages. Download the short here by right clicking and choosing Save Target or Save Link. (73M) Please visit Jamie’s site at www.mutinycompany.com.
by Jason Guerrasio on Jan 27, 2008
“FROZEN RIVER” writer-director, Courtney Hunt

Ten percent more money wouldn’t have made that big a difference, but 10 percent more preproduction time would have helped. Our funding showed up so late in the game that nothing could be nailed down until two weeks before we started shooting. Casting and location scouting was last minute. Luckily my producers and crew were intrepid so we just marched on. Rehearsal with actors was minimal. I met most of the people in the smaller roles for the first time on the day they arrived on the set. The only thing that saved us was the script. The time spent […]
by Jason Guerrasio on Jan 18, 2008
“ADVENTURES OF POWER” writer-director, Ari Gold

After 13 months of shooting in four states, a broken arm, lightning strikes, a once-in-a-generation power failure at our power-plant location (“stay here, you’re slightly more likely to survive if it explodes”), I should want at least 11 percent more money to make the movie, to deal with these contingencies, or else I’d be wise to force myself to write 99 percent less insanity into my script so I could make something simple. But since all that’s past, I’d say if I wished I had 10 percent more of something, it would be peace of mind. I wasted a huge […]
by Jason Guerrasio on Jan 18, 2008
“CHOKE” writer-director, Clark Gregg

It’s very tempting to go for the obvious answer and say money, since most of the elements that one would kill to have 10 percent more of could be had with a little more money. Money would be the universal gift card with which one could purchase delicious items like more shooting days or film stock or editing time. I’m still in post so even thinking of a card that could buy me more mix time or music licensing is getting me a little worked up. But money seems like an easy answer, so I’ll try to think outside the […]
by Jason Guerrasio on Jan 18, 2008

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