New Frontier Performances and Installations [PREMIERE SCREENING: Thursday, Jan. 21, 3:00 pm — New Frontier on Main, Park City] Not filming anything, I developed software that breaks down film as video into its basic primitives — the building blocks of media. I take body signals and sound to reanimate and dematerialize existing media and create film objects and “dream anatomies” of our familiar media body. These computational cinema works are not recorded; they are generated as the viewer experiences the work in real time. The works synchronize with your own body to create new synesthetic experiences.
by Jason Guerrasio on Jan 19, 2010Interview by Alicia Van Couvering Filmmaker selected John Maringouin as one of our “25 New Faces of Independent Film” in 2006 after seeing Running Stumbled, the filmmaker’s hilarious and disturbing film documenting his own reconciliation with his estranged father. This year he brought his remarkable film Big River Man to Sundance, a film several years in the making that documents the Amazon River expedition of Slovenian endurance swimmer Martin Strel. Strel’s stated mission is to bring environmental awareness to the rivers he swims, which have included some of the most polluted on Earth. Maringouin sets out to follow Strel’s expedition […]
by Scott Macaulay on Nov 30, 2009Ex-LAPD Detective, investigative journalist, 9/11 truther, foreteller of the coming apocalypse — these are just some of the roles Michael C. Ruppert has inhabited in his fascinating life, one that versatile filmmaker Chris Smith (American Movie, The Yes Men) has chosen to examine in his newest film Collapse. It is a return to documentary films for Smith, who has oscillated between disparate narrative and documentary work with a rare deftness. His most recent film The Pool (2007), a naturalistic narrative which Smith photographed himself, tracks a rural teenager working in a Panjim hotel to support his family who becomes obsessed […]
by Brandon Harris on Nov 4, 2009TALENT SHOW CONTESTANT LIMA SAHAR IN DIRECTOR HAVANA MARKING’S AFGHAN STAR. COURTESY ZEITGEIST FILMS. Following in the footsteps of such filmmakers as James Marsh (Man on Wire), Stephen Walker (Young@Heart) and Parvez Sharma (A Jihad For Love), Havana Marking is the latest director of a British TV-funded documentary to find her film in the theatrical spotlight Stateside. The intrepid director went to school in Dorset, England, before studying Anthropology at the University of London’s School of Oriental and African Studies. Subsequently, she began working in documentary television, progressing from researcher through to producer, on shows as disparate as Himalaya with […]
by Nick Dawson on Jun 26, 2009Ry Russo-Young’s You Won’t Miss Me was one of our favorite films at Sundance this year. It is a free-wheeling, lyrical but sometimes jarring depiction of a few months in the life of young and struggling New York actress navigating both harsh auditions and her own chaotic emotional relationships. The film has a deceptively casual feel as it avoids obvious plot points and melodramatic narrative contrivances. By its conclusion, however, it feels full — an honest portrait of character we haven’t quite seen on screen before at a very specific moment in her life. Following its Sundance premiere, the film […]
by Jason Guerrasio on Mar 12, 2009Documentarian Doug Pray has made films about grafitti artists (Infamy), an iterant surfing family (Surfwise), Seattle punk scene (Hype!) Hip Hop DJ’s (Scratch) and truckers (Big Rig), and now, with Art & Copy, he profiles the living legends of corporate advertising. Advertising has a complicated relationship to filmmaking — for one thing, many feature and documentary directors make a living doing commercials. The men and women profiled in Pray’s film have been responsible for most revolutionary campaigns of the ad business — VW’s “Lemon” and “Think Small” were by George Lois, who also provoked controversy with his Esquire Covers and […]
by Scott Macaulay on Jan 25, 2009[PREMIERE SCREENING: Friday, Jan. 23, 6:15 pm — Eccles Theatre, Park City] Moon was a challenge to write. There were a set of pretty stringent criteria that we had come up with for ourselves in order to give us the best chance of getting the film made. I had to keep in mind a very limited budget, keep the cast as small as possible, write something that would best be done in a controlled, studio environment all while utilizing a very specific set of visual effects that would maximize production value for minimum cost. All that, and we didn’t want […]
by Jason Guerrasio on Jan 23, 2009Peter Callahan’s Againt the Current is road movie that takes place in a vehicle that “couldn’t out-run a turtle.” It’s a story about Paul Thompson (Joseph Fiennes), a man in his mid-30’s who is still grieving for his wife five years after her death. Emotionally adrift, Thompson decides to make it literal by enlisting his best friend (Justin Kirk) to man a boat as he swims the entire length of the Hudson River. The pair are joined by a pretty, single barfly named Liz, played by Elizabeth Reaser, and they all stop briefly at Liz’s Rhinebeck house, where her mother […]
by Scott Macaulay on Jan 22, 2009[PREMIERE SCREENING: Thursday, Jan. 22, 6:15 pm — Eccles Theatre, Park City] I wanted to tell a comic story with a fast, screwball structure but set in the real world and that feels genuine and convincing at every moment. It was inspired by the real-life story that’s kept the world gobsmacked for the past five years: a U.S. President (using and abusing a UK Prime Minister) who mounts an ill-thought-through military invasion in the Middle East that looks like it’s been planned on the back of a cigarette packet. I wasn’t interested in portraying those high up in power, but […]
by Jason Guerrasio on Jan 22, 2009[PREMIERE SCREENING: Wednesday, Jan. 21, 9:30 pm — Eccles Theatre, Park City] I started out writing Motherhood from a place of frustration with contemporary movies because I couldn’t think of a single one that dealt nearly exclusively in a complicated, human, reasonably authentic way with the subject of what it’s like to be a mother. Moms in the movies tend to be neglectful, embarrassing, screwballs, alcoholics, bitches, or monsters of controlling will, which may be true of some mothers some of the time, but certainly not all mothers all of the time. As a serious fan of Curb Your Enthusiasm, […]
by Jason Guerrasio on Jan 21, 2009