Sundance Film Festival

“GROWN UP MOVIE STAR” | writer-director, Adriana Maggs

[PREMIERE SCREENING: Friday, Jan. 22, 6:45 pm — Broadway Centre Cineams, Salt Lake City] Casting the central role of Ruby was really tough. In my mind Ruby was a scary mix of too young and too sexy, even in her appearance. I wanted to create a tension and innocence of youth conflicting with too much skin. I wanted someone from Newfoundland, someone wild, messy, damaged and young. I wanted her to have physical flaws, like maybe not perfect teeth, something physical that would put a definite wall between herself and her dreams of stardom. Shawn loved Tatiana and wanted her […]
by Jason Guerrasio on Jan 22, 2010
“PLEASE GIVE”‘s NICOLE HOLOFCENER | By Jason Guerrasio

This piece was originally printed in our 2010 Winter issue. In a New York Times piece written last month on the commercial success in 2009 of films aimed at female audiences (Twilight: New Moon, Julie & Julia, The Proposal), critic Manohla Dargis also took note of the relative paucity of female directors in Hollywood. Sure, there’s Kathryn Bigelow, who won many critic’s Best Director awards with The Hurt Locker, and there are Nora Ephron, Ann Fletcher and a few others but, for the most part, wrote Dargis, “Only a handful of female directors picked up their paychecks from one of […]
by Jason Guerrasio on Jan 22, 2010
“THE TUNNEL” | writer-director, Jenna Bass

[PREMIERE SCREENING: Friday, Jan. 22, 12:00 pm — Yarrow Hotel Theatre, Park City] Never a truer word. We had a scene — it was my favorite in the film. It was one of those scenes which didn’t necessarily drive the film on a plot level but was essential to the feel and the magic. Like everything, it was shot in a huge rush. When it came to the editing, we tried everything to make it work, but eventually we had to admit: It was bad. There was no way the scene was going to cut it. There was no way […]
by Jason Guerrasio on Jan 22, 2010
“LOURDES” | writer-director, Jessica Hausner

[PREMIERE SCREENING: Friday, Jan. 22, 2:30 pm — Prospector Square Theatre, Park City] For Lourdes the hardest decision was whether to make the film at all. This decision was so hard because I found the subject very ambivalent and difficult to treat. I wanted to tell a story like a fairytale but I didn’t want to make a naive film. I wanted to question religion and faith but I also really wanted to know and learn more about both without, on the other hand, being too soft with the Catholic Church. I wanted to make a film in Lourdes that […]
by Jason Guerrasio on Jan 22, 2010
“happythankyoumoreplease” | writer-director, Josh Radnor

[PREMIERE SCREENING: Friday, Jan. 22, 12:15 pm — Eccles Theatre, Park City] Well my first impulse is to list the obvious: casting woes, scheduling conflicts, clashes over time and locations, cherished scenes that ended up getting cut in editing, and the like. But the overall feeling I’m left with on the other side of the freefall that was directing my first film is that the hard decisions weren’t all that hard. One hears so much about the rigors/horrors of filmmaking, and as a fairly suggestible person when facing the unknown, I was kind of prepared for the worst. But the […]
by Jason Guerrasio on Jan 22, 2010
“A SMALL ACT” | director, Jennifer Arnold

[PREMIERE SCREENING: Friday, Jan. 22, 12:00 pm — Temple Theatre, Park City] The documentary project A Small Act follows five main characters through two interlocking storylines, but we only had one camera. We were constantly forced to decide which story, and which character within the story, to follow. There was one day in particular that we absolutely needed to be in three places at once, which was impossible of course. We were filming three Kenyan students as they competed for a life-changing scholarship. The students had taken a national exam and the exam score determined their scholarship eligibility. If they […]
by Jason Guerrasio on Jan 22, 2010
“TEENAGE PAPARAZZO” | director, Adrian Grenier

[PREMIERE SCREENING: Friday, Jan. 22, 5:15 pm — Racquet Club, Park City] The hardest decision I had to make was to completely scrap the first cut of the film, start from scratch and completely redo a year and a half of work. After I turned in the film I was still not satisfied, but my investors didn’t want to give me more time or money. There were two choices: wash my hands of it or take drastic measures and defy the will of my investors to go over budget and over schedule. I had no idea if I would succeed […]
by Jason Guerrasio on Jan 22, 2010
“DADDY LONGLEGS” | co-writers-directors, Benny Safdie & Josh Safdie

[PREMIERE SCREENING: Friday, Jan. 22, 8:30 am — Prospector Square Theatre, Park City] Jeesh, the amount of decisions that go into making a movie… the words “the amount” are so heavy because the list is heavy, breathing is a decision, but to quantify them seems like the scariest task with such a daunting overhead. Of course the best decisions are the ones that you don’t have to make but are forced into. During Daddy Longlegs, we were so preoccupied with constantly providing stimuli from the writing process all the way through editing: for ourselves, for the actors, the non-actors, the […]
by Jason Guerrasio on Jan 22, 2010
“MY PERESTROIKA’”S ROBIN HESSMAN | By Alicia Van Couvering

Robin Hessman’s My Perestroika is a documentary that shows modern-day Russia from the inside out. Five Russian adults reveal their personal histories through interviews and home movies, talking us through their childhood in school together during the die-hard communist Brezhnev years of the 1970s, through Gorbachev, the collapse of the USSR, and, finally, the coups, oligarchs and wealth transfers that are shaping Russia today. Borya and Lyuba, a married couple, teach history at School #57, which their teenage son also attends, and the film begins in their modest apartment, the same one Borya grew up in. Olga, the prettiest girl […]
by Scott Macaulay on Jan 21, 2010
“THE END” | Ragnar Kjartansson

[New Frontier Performances and Installations] When it comes to shooting one is faced with endless decisions. I make them like when playing a computer game or making music — really quick and without too much thinking. I make up my mind really fast just so I won’t lose my cool with my crew. Afterward I think, “What the hell was that decision?” But then in retrospect it usually works out well. Instinct is the only thing an artist can truly trust when it comes to those decisions. If the vision is clear then instinct will follow.
by Jason Guerrasio on Jan 21, 2010

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