[PREMIERE SCREENING: Saturday, Jan. 23, 11:30 pm — Library Center Theatre, Park City] Ninety minutes inside a coffin. Ninety minutes. Inside a coffin. Underground. In an old wooden coffin. Darkness. No room. The most difficult decision? Believe it or not there was no choice for me, I didn’t see any blue pill, I simply NEEDED to do this. The most difficult decision would have probably been saying no. And I didn’t. Maybe I should have.
by Jason Guerrasio on Jan 23, 2010[PREMIERE SCREENING: Saturday, Jan. 23, 9:00 pm — Temple Theatre, Park City] The hardest decision was whether to bring in a narrator or try and let Benazir tell the story through her own words. The easy way out would have been a narrator, but since Benazir was such a public figure from such an early age we decided to piece her life together in her own words, keeping her alive not only by virtue of the documentary but in the documentary itself. We had a stroke of good fortune when producer Mark Siegel remembered the existence of interview tapes from […]
by Jason Guerrasio on Jan 23, 2010[PREMIERE SCREENING: Saturday, Jan. 23, 8:30 pm — Library Center Theatre, Park City] The single biggest decision I was faced with during the making of Climate Refugees literally happened on the first day. Was it possible to make a documentary film about climate change that would be politically bipartisan? I wanted to create a film that would play to both sides of the aisle. To me, I saw climate change as a metaphor in which a woman is swimming in the ocean. She is attacked by a shark. She is barely able to swim to shore. Two men see the […]
by Jason Guerrasio on Jan 23, 2010[PREMIERE SCREENING: Saturday, Jan. 23, 6:30 pm — Screening Room, Sundance Resort] Women Without Men was my first feature-length film, so numerous challenges had to be faced throughout the process of its making. First of all I’m a visual artist — a photographer and a video artist — so I had never written a script or had worked with a producer, professional actors, or a large crew before. Also the film was based on a well-known novel by Iranian author Shahrnush Parsipur. This novel was written in a style of magic realism, an extremely difficult piece of literature to readapt […]
by Jason Guerrasio on Jan 23, 2010[PREMIERE SCREENING: Saturday, Jan. 23, 6:00 pm — Yarrow Hotel Theatre, Park City] There were a couple of reshoots during production, most of which were short and painless. But after we shot a pretty complicated scene at a time-sensitive location, I watched the footage on the camera in my car while the cast and crew went and got dinner, and I knew that the scene was unusable. So I had to go meet up with everyone, who were so relieved to be done with such a tricky scene, and tell them that we had to do it all over. The […]
by Jason Guerrasio on Jan 23, 2010[PREMIERE SCREENING: Saturday, Jan. 23, 5:15 pm — Racquet Club, Park City] The hardest decision I made on this film was mustering the courage to deconstruct my film completely in postproduction. I don’t know if other directors had similar experiences with their films, but when I first pieced Night Catches Us together, while I was pleased with it, it no longer felt as creative as I’d hoped. Something was missing — though I couldn’t determine what. At first I was too overwhelmed and exhausted to confront the problem, let alone address the ways I needed to fix it. But eventually, […]
by Jason Guerrasio on Jan 23, 2010[PREMIERE SCREENING: Saturday, Jan. 23, 2:15 pm — Racquet Club, Park City] Casting the film was probably the hardest series of decisions I had to make. I found that there was tremendous pressure to cast well known and very good actors who could potentially “mean more” in terms of getting the film made. You find yourself considering actors who are simply not right for the role and yet willing to risk the consequences. It was incredibly stressful but at the same time led me to consider the film in certain terms. If this was to be “my film” as director […]
by Jason Guerrasio on Jan 23, 2010[PREMIERE SCREENING: Saturday, Jan. 23, 3:00 pm – Temple Theatre, Park City] Here’s a challenge I faced making The Tillman Story: As a documentary filmmaker making a movie about Pat Tillman, I’m expected, of course, to get to bottom of who he really was and to leave no stone unturned in presenting his biography and character to my audience. Pat Tillman is synonymous with sacrifice and unflinching patriotic duty because it’s generally accepted that he was so moved by the events of 9/11 that he dropped everything, quit his football career, and enlisted in the Army Rangers. However the more […]
by Jason Guerrasio on Jan 23, 2010[New Frontier Performances and Installations] As a fourth-generation farmer, there seems to be an endless supply of crossroads while growing produce where, unlike in an editing program, you cannot undo the last 50 decisions you have made. What day to plant, how many seeds to place in a foot, how long to water, is that a weed, should I pull it? So here is a brilliant idea — how about I film that process? Hopefully the seed I placed in focus under the lens is the one that will emerge unscathed. That is how my project “lifecycles” began. Unfortunately all […]
by Jason Guerrasio on Jan 23, 2010This piece was originally printed in our 2010 Winter issue. Hell can be many things — being buried alive in the Iraqi desert, for example, or perhaps just watching your screenplay slowly disintegrate on the shelf during never-ending studio “development.” The opposite of most screenwriters, Chris Sparling knows the former but not the latter. He went directly from struggling indie director to successful Hollywood scribe when the screenplay for his horror thriller Buried was picked up, cast with a major up-and-coming star, and thrown before the cameras in just six months. And now it’s receiving its U.S. premiere at the […]
by Jason Guerrasio on Jan 23, 2010