“Reset!,” the theme of this year’s CPH:DOX, signals a focus “on a number of the most significant structural crises the world is facing today, but also on opportunities that arise and new solutions that present themselves.” This according to a recent press release quoting CPH:DOX CEO Tine Fischer, who will soon be leaving the festival she founded all the way back in 2003 to become the new director of the National Film School of Denmark. To say that Fischer is going out on a high – and highly ambitious – note is an understatement. Having ushered the 2020 edition seamlessly […]
by Lauren Wissot on Apr 13, 2021Rintu Thomas and Sushmit Ghosh’s feature debut Writing With Fire painstakingly follows Khabar Lahariya, India’s only all-female news network, as they transition from print to digital and challenge the caste system every step of the way. Ghosh acts as co-DP alongside Karan Thlapliyal on the film. The two discuss maintaining a respectul distance from their subjects and the inclement climate conditions of their filming. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Ghosh: When my codirector Rintu and I decided […]
by Filmmaker Staff on Jan 30, 2021Rintu Thomas and Sushmit Ghosh’s feature debut Writing With Fire painstakingly follows Khabar Lahariya, India’s only all-female news network, as they transition from print to digital and challenge the caste system every step of the way. As a director duo, Thomas and Ghosh also took the massive undertaking of editing and producing their film, with Ghosh also acting as one of two cinematographers. The duo share their editing process, what it was like to respectfully but intimately capture the lives of the women of Khabar Lahariya, and reframing the image of Dalit women through editing. Filmmaker: How and why did you […]
by Filmmaker Staff on Jan 30, 2021How did events of 2020—any of them—change your film, either in the way you approached it, produced it, post-produced it, or are now thinking about it? We had set up an edit studio at a friends’ place in the mountains and were busy working through the post-production when the lockdown was declared in India. That’s when it dawned that we couldn’t head back to Delhi, where our home is, nearly 600 kilometers away. Our consultant editor, the amazing Anne Fabini, was supposed to join us for two weeks. Just a few days before she was scheduled to travel, the travel […]
by Filmmaker Staff on Jan 30, 2021