Originally posted as part of our Sundance 2010 coverage, Lovers of Hate will screen at SXSW and is available on VOD beginning March 15. Playing in competition this year is Austin filmmaker Bryan Poyser’s Lovers of Hate, starring Alex Karpovsky and Chris Doubek as brothers, Paul and Rudy, vying for the attention of Rudys’ soon-to-be ex-wife, Heather (Heather Kafka.) Paul is enjoying wild success as the author of a Harry Potter-like series of children’s books, which are based on stories that Rudy used to make up for Paul when they were children. Rudy, who calls himself a writer but who […]
by Scott Macaulay on Jan 24, 2010Think of this post as a scrawled line on a notebook separating notes you made a year ago with notes you are making today… SXSW ’10 coverage starts here (i.e., look above). If you want to see what we posted about last year’s festival, scroll below.
by Scott Macaulay on Jan 23, 2010Severe Clear premiered at SXSW this week, five years to the day after the US invasion of Baghdad. Back then, Kristian Fraga was just one of millions, watching events unfold on cable news. First Lieutenant Mike Scotti was crossing the Iraqi border in an artillery tank, and he had a video camera. Severe Clear is a chronicle of the Baghdad invasion culled from over 60 hours of this footage, edited from a pure first-person perspective to ensure that the viewer goes through an experience as close to Mike’s as possible. We first meet Mike and his unit in a desert […]
by Scott Macaulay on Mar 25, 2009Gerald Peary is not a cell phone person. He has witnessed a quarter century of films and criticism, from when Pauline Kael and Andrew Sarris drew their lines in the critical sand to the currently expanding blogosphere. Gerald Peary is old school. A working film critic for 25 years, his work has appeared in The Los Angeles Times, The Toronto Globe and Mail, The Chicago Tribune, Film Comment, Cineaste, Sight and Sound and Positif, to name a few. He is the weekly reviewer for the Boston Phoenix, one of a rapidly diminishing club of alternative weeklies as paper after paper […]
by Scott Macaulay on Mar 24, 2009Arms locked together, smiles frozen in place awaiting the digital flash — we all have these photos on our cameras and phones when we return from a film festival. These moments sure look like happy ones now that a festival premiere has spackled over all the fractures that production wrought. At SXSW this year, however, one group tried to summon up smiles that were a bit more sincere in intent. Operation Smile is a non-profit organization that provides cleft-lip and palate repair to children and young adults around the world, many in developing countries. Reps from the organization manned a […]
by Scott Macaulay on Mar 18, 2009There is an actual college Creative Nonfiction class in Lena Dunham’s Creative Nonfiction, which premieres in the Emerging Visions section at SXSW this week. There is also the actual Dunham, who plays both Ella, a college student trying to get a grip on an ambiguous non-starter romance, as well as the heroine in the 16mm-filmed representation of the John Waters/fairy-tale screenplay Ella is writing. Dunham wrote the script, about her own real-life ill fated dorm-room non-romance when she couldn’t concentrate on her own fairy tale/John Waters script, which she was completing for writing class. In Creative Nonfiction we meet this […]
by Scott Macaulay on Mar 18, 2009The goal in any festival director transition: to maintain the quality of a festival and begin to put one’s personal stamp on it while not slowing its momentum or dampening its good will. Mid-way through SXSW, I’d say that for new director Janet Pierson, pictured here at the BMI dinner, that mission has been handily accomplished. Attendance is up; audience reaction to a good number of films is positive; the panels are informational and packed; there’s the requisite fanboy buzz from the opening night I Love You, Man plus today’s sneak of some of the Bruno footage; and there are […]
by Scott Macaulay on Mar 16, 2009David Russo’s The Immaculate Conception of Little Dizzle is not your average Seattle-based, night-shift janitors eating self-heating cookies as unwitting test subjects male pregnancy special effects-peppered butt fish movie. The film’s official synopsis is: “When Dory’s life seems like it’s going down the drain, a strange ‘new life’ takes shape inside him and he learns that sometimes you don’t have to find meaning; it grows in you.” But this is a film that defies description and transcends its bizarre title and bizarre-er premise to take you into a strange and beautiful place you never knew you wanted to explore (but […]
by Jason Guerrasio on Mar 15, 2009Pictured above, on the second floor of the convention center, Alexander the Last director Joe Swanberg and Cinetic Media Rights’ Matt Dentler. Dentler to me: “You know, I don’t work here anymore, but you don’t need to wait on this long line for your badge. You can go to the Panelists Registration over there.”
by Scott Macaulay on Mar 14, 2009When Jody Lee Lipes set out to follow his friend Brock Enright prepare a solo art show for the prestigious Perry Rubenstein gallery, he knew he wasn’t going to change anyone’s opinion about contemporary art. If you hate the art world, you might still hate it after watching Enright’s strenuous, stressful and altogether bizarre chronicle of several months putting a solo show together. But you have probably never seen art-making this up close; probably never witnessed the day-to-day negotiations for resources and time between an artist and gallery; probably never seen someone try to justify their art to their girlfriend’s […]
by Jason Guerrasio on Mar 14, 2009