The evidence might be circumstantial but there seems to be a true-crime renaissance happening in the upper echelons of liberal-minded non-fiction. People have been talking about The Jinx and Serial the way I can’t remember people talking about non-fiction before — they get all excited and say OMG a lot. Like the smart soap operas of the so-called Golden Era of TV, shows like House of Cards or Games of Thrones, these shows are guilty pleasures you don’t have to feel guilty about because they are safely highbrow. And while they’re certainly smarter than the shows about violent murders of […]
by Whitney Mallett on Apr 27, 2015The Oscars have released their shortlist of the 15 documentary features eligible for the Academy Award that have advanced to the next stage of consideration; the final five will be announced along with all other nominations on January 15. The titles and directors below, with links to our previous coverage as applicable: Art and Craft (Sam Cullman, Jennifer Grausman, Mark Becker) — click here to read a guest post from the directors about completing their film’s score. The Case Against 8 (Benjamin Cotner, Ryan White) — click here to read the directors’ pre-Sundance statement about their film. Citizen Koch (Carl […]
by Vadim Rizov on Dec 2, 2014DOC NYC, “America’s largest documentary festival,” certainly lives up to its billing. With a whopping 153 films and events, there’s quite a bit to navigate, from critically acclaimed historic revivals to Toronto darlings to fresh premieres. For this fifth edition several sections have been broadened, and a few themes even added. There’s now “Centerstage” (performance focused films), “Jock Docs” (sports-centric flicks), “Fight the Power” (activist docs) and, perhaps most stimulating for nonfiction geeks, “Docs Redux.” That would be a sidebar of seven oldies but goodies, most with their legendary directors – Chris Hegedus, D.A. Pennebaker and Albert Maysles, all three receiving […]
by Lauren Wissot on Nov 12, 2014Toronto Film Festival 2014 By Scott Macaulay Early in Richard Glatzer and Wash Westmoreland’s resolutely unsentimental Still Alice, the eponymous Columbia University linguistics professor (Julianne Moore) visits a neurologist to discuss the memory issues she’s been having. “I’m going to tell you a name and address, and I want you to remember it,” he says. “John Black, 42 Washington Street, Hoboken.” After a few basic cognitive tests, he asks Moore to repeat the address. She stumbles, apologizes; she just got distracted. The doctor smiles and nods. Moore is brilliant in this scene, as she is throughout the film capturing, Kübler-Ross- […]
by Filmmaker Staff on Oct 20, 2014